Interesting Interview with Dan Winters

One of my favorite YouTube channels is Alex Kilbee’s The Photographic Eye. Today I watched this fascinating interview with Dan Winters.

According to the biography on his website:

After studying photography Moorpark College in Southern California, Dan Winters finished his formal education at the documentary film school at Ludwig Maximilian University of Munich, Germany. He began his career in photography as a photojournalist in his hometown in Ventura County, California. After winning several regional awards for his work, he moved to New York City, where magazine assignments came rapidly. Known for the broad range of subject matter he is able to interpret, he is widely recognized for his unusual celebrity portraiture, his scientific photography, photo illustrations, drawings and photojournalistic stories. Winters has won over one hundred national and international awards from American Photography, Communication Arts, The Society of Publication Designers, PDN, The Art Directors Club of New York, Life Magazine. He was awarded a World Press Photo Award in the Arts and Entertainment category in 2003. He was also awarded the prestigious Alfred Eisenstaedt Award for Magazine Photography. In 2003, he was honored by Kodak as a photo “Icon” in their biographical “Legends” series.

He has had multiple solo gallery exhibitions in New York and Los Angeles and a solo exhibition at the Telfair Museum Jepson Center for the Arts in Savannah. His work is in the permanent collections at the National Portrait Gallery, Museum of Fine Art, Houston, The Harry Ransom Center and the Wittliff Collection at Texas State University, San Marcos. His books include “Dan Winters’ America: Icons and Ingenuity”, “Last Launch”, “Periodical Photographs”, “Road To Seeing”, which chronicles his path to becoming a photographer and “The Grey Ghost”, which is a selection from 30 years of his New York street photography.

Clients include Esquire, GQ, Vanity Fair, The New York Times Magazine, The New Yorker, New York Magazine, TIME, WIRED, National Geographic, Smithsonian Magazine, Fortune, Variety, W, Entertainment Weekly, Rolling Stone, Newsweek, Golf Digest, Vanity Fair and many other national and international publications. Advertising clients include Apple, Netflix, Samsung, Microsoft, Nike, Target, LG, Hewlett-Packard, Sony, Bose, Amazon, HBO, Saturn, Sega, Fila, Cobra, Warner Brothers, NBCUniversal, Paramount, DreamWorks, Columbia TriStar and Twentieth Century Fox, RCA, Atlantic Records, A&M, Sony, Warner Brothers, Elektra, Interscope and Epitaph.

A Visit to Kingston, NY – Lunch at Mariners Harbor

“If you’re a true-born Kingstonian, you probably remember the days when our Mariner’s Harbor building was home to the Daily Freeman.

Back in the day, lower Broadway was the hub of our great city. Rondout Savings Bank was nearby. So was B & F Market, the post office, the Orpheum Theater, the shoe-shine shop, the five-and-dime store and Rookie’s Tavern on the Strand.

Those were the days when newspaper people were portrayed in the movies as heroes—the Cary Grants and the Clark Gables of a bygone era.

The Freeman occupied our historic building that dates back even further to 1851 when Jewish businessman Israel Sampson built it as the Sampson Opera House. A couple of fires—one in 1874 and another in 1885—destroyed much of the buildings original features. Some, like the cast-iron pillars at the ground level of our three-storied building remain in tact. It became the official home to the Daily Freeman in 1911, some 20 years after Jay Klock bought it in 1891.

Today when you visit our restaurant, you’ll come in through a corner door. Above it hangs a sculpted swordfish. Back in the day, the double doors leading into the Freeman were on the lower Broadway side.

Edward Palladino, a former city editor at the Freeman and 31 year veteran of the paper, shared with us, “All three stories of the building were used at the newspaper.” The editorial department occupied the second floor. It was the place where Palladino and the other news people settled down each morning to hunt the day’s stories. Back then, the Freeman was an afternoon paper. The presses would start their run at around 2 pm, and former Freeman staffer Bob Haines recalls what it was like. “Once the presses got going, the whole building would shake,” says Haines who worked as a Freeman photographer from 1967 till 2007. “I would come in each morning to pick up my assignments for the day, and I’d drop my pictures by at night.” Haines said he often put his finished work in a dumb waiter that would carry items up to the editorial floor. “We used to throw in all kinds of stuff like half-eaten baloney sandwiches, and once, someone put a cat in there. It was a real fun place to work,” Haines shared.

“It was a great atmosphere,” Palladino agreed. “The newspaper business to me is one of the most fascinating businesses in the world because everyday there’s something new.”

When Joan Saehloff was hired in 1950, the Freeman was still owned by the Klock family. After Saehloff put in her time as an “office girl,” she worked her way up to Society Page editor. “The downtown Freeman was just like what you’d see in the old movies. It was a busy place, and you could smell the paste pots and the ink,” says Saehloff, who at age 18 was in charge of the newspaper delivery boys. “You could see the big printing presses through the window.” Now those windows overlook the Rondout Creek.” (Mariners Harbor Website).

“Only the old-timers like us would remember. Overtime I go there, there’s a lot of nostalgia,” said Palladino.

We’re proud of our history here in Kingston!



Taken with a Sony A7IV and Rokinon/Samyang AF 24-70 f2.8 FE

A Visit to Kingston, NY – The Arriva

“If this yacht could talk, it would probably be able to tell some amazing tales.

On Monday afternoon, a luxury yacht designed to look like a pirate ship docked in Kingston, NY. If the 156-foot vessel looks familiar, it’s because the famous boat has been photographed countless times by the paparazzi.

The ship was purchased by Johnny Depp back in 2007 and named Vajoliroja. At the time, Depp was dating Vanessa Paradis. The name was created by combining both of their names with the names of their children, Lily-Rose and Jack.

After purchasing the yacht, Depp hired famed interior designer LM Pagano to renovate it. According to Insider, Pagano draped the interior of the ship in velvet and other luxurious fabrics in an effort to make it feel like “the Orient Express on the ocean.”

After Depp parted ways with Paradis and started dating Amber Heard in 2017 he renamed the vessel Amphitrite. The boat even played a part in their infamous trial. Heard claimed that the actor assaulted her on the yacht by hitting her against a wall. She accused Depp of drinking too much because he was angry he had to sell the boat. Depp denied the accusation, but he did wind up selling the yacht to another huge celebrity in 2015.

The Amphitrite was purchased seven years ago by famed novelist J.K. Rowling for a reported $27 million. The Harry Potter author may have actually scored a great deal on the yacht which includes a Jacuzzi, helicopter pad and a small swimming pool. The interior of the boat hides five luxury cabins. Insider says three of the cabins are furnished with double beds, and the other two children’s rooms have twin beds. All of the bedrooms have their own private bathroom.

There was lots of buzz when the ship, now called Arriva, showed up on the Hudson River in 2020. Locals were heading to the river in hopes of catching a glimpse of Rowling, but that may have been a waste of time. It appears the boat was sold by the author and is now owned by a wealthy businessman.” (Yacht Once Owned by Johnny Depp Spotted in Kingston, We Peek Inside which also includes a number of interior shots)

I’ve also read that the Arriva is usually docked on the Long Island Sound, but that the present owner brings it up the Hudson River once a year so he can enjoy the fall foliage.

Taken with a Sony A7IV and Rokinon/Samyang AF 24-70 f2.8 FE

A Visit to Kingston, NY – Esopus Lighthouse


“The Esopus Meadows Lighthouse is one of the most picturesque and the only surviving wooden lighthouse on the Hudson River. Nicknamed the “Maid of the Meadows,” it was built on the edge of the mud flats south of Port Ewen, where cattle once grazed. Rising sea levels have brought the levels of the tidal Hudson up as well. (Today the submerged flats are covered with thick beds of water chestnuts sheltering young striped bass and other fish, but remain a nautical risk.) On March 3, 1837 Congress provided $3,000 (originally approved in 1831) followed by an additional $3,000 on July 7, 1838 to complete the original Esopus lighthouse, a 34 by 20-foot stone house with an octagonal tower, built on a forty-one by fifty feet angular pier. The land was purchased from George Terpenning for a dollar. Four lamps and reflectors produced a fixed light, which were replaced by a sixth-order lens in 1854. A nearly identical lighthouse was also in use at Rondout Creek. Unfortunately, flood tides and ices floes severely weakened the building, making it “unfit for occupancy in the winter” by 1869.

Consequently, on July 15, 1870 Congress authorized $25,000 to build a new lighthouse 100 feet southeast of the old site (coordinates 41°52’6.2”N 73°56’29.8”W, NOAA Chart 12347). Construction, entailing 250 40-foot-long piles driven into the river bed, topped by twelve-inch-square timbers and a round 49-foot in diameter cut granite pier supporting a French Second Empire Style, wood-framed white clapboard exterior with red mansard roof, was completed in 1871. Designed by Vermont architect Albert Dow, the square keeper’s residence contained seven rooms with a kitchen, sitting room, and equipment room on the first floor and three bedrooms and a bathroom on the second floor. A 53-foot high octagonal tower crowned the lighthouse and was originally fitted with a fifth order Fresnel light, flashing white every 2.5 seconds over a 270° arc with a range of 12 nautical miles, beginning on August 26, 1872. An automatic fog bell was added in 1891, but has subsequently been removed. Similar lighthouses are located at Rose Island Light (Newport Harbor), Sabin Point (Providence River), Pomham Rocks Providence River), and Colchester Reef (originally on Lake Champlain now at Shelburne Museum)

​Accessible only by boat, life for a keeper and his family could be very lonely and on occasion even dangerous. Polishing the Fresnel lens and brass reflectors were daily tasks. The keeper also maintained a daily log of weather, significant events, and names and classes of ships passing on the river. In winter, when the river froze, keepers often took part time jobs on shore like ice cutting in the winter months. Manny Resendes was the last civilian light keeper before the Coast Guard took over operations in 1939. The last Coast Guard keepers were there until 1965. David Bennett, was actually stalked (unsuccessfully) over the ice in January of 1961 by a pack of ravenous wild dogs. In 1965 the lighthouse was officially closed, when an automated navigation aid was established on an adjacent metal tower. Eventually the Coast Guard planned to demolish the deteriorating lighthouse, until the Hudson River Valley Commission intervened with an eye towards preservation. Boards were placed over the windows and painted to look like curtains, including a black cat in an eastern window. On May 29, 1979 the Esopus Meadows Lighthouse achieved recognition by the US National Register of Historic Places.

​In 1990 the Save Esopus Lighthouse Commission (SELC), under the direction of Arline Fitzpatrick (niece of Manny Resendes) and a number of dedicated volunteers leased the lighthouse from the United States Coast Guard to begin restoration. Having sustained major damage from vandals, flood tides, ice, and an occasional barge collision had eventually tilted the lighthouse on the deep (east) side of its granite foundation by 18 inches. The interior was cleaned, the exterior was repainted and the windows and roof were replaced. In 1997 SELC was reorganized under the leadership of Pat Ralston to continue these efforts. (It is safe to say that without the efforts of Pat, Esopus Meadows would not be standing today. She was instrumental in fighting for the right to carry on the restoration efforts when the General Services Administration wanted to pull the lease. She battled state and local naysayers who thought a woman couldn’t do it. She proved them wrong.) Large I-beams resting on hydraulic jacks were finally installed beneath the lighthouse in 2000, successfully leveling the building. A meticulous renovation has successively been completed, including recapping and repointing the stone pier, replastering the interior and repainting the interior and exterior, adding indoor trim work, refinishing interior doors, replacing missing shutters, rebuilding and restoring the staircase with polyurethane, installing indoor plumbing in the bathroom, adding period furniture, restoring the tower with a copper floor, and rewiring the lighthouse, installation of an alarm system and generator, battery bank, solar panel, and a new working light. In May, 2010, a floating dock was installed to facilitate the landing of larger tour vessels at the lighthouse.

These many accomplishments were accorded significant public recognition, when in September of 2002 ownership was formally acquire as part of a pilot program of the National Historic Lighthouse Preservation Act of 2000 and on May 31, 2003 the Coast Guard reactivated the light. The Esopus Meadows Lighthouse was recognized as a museum under the New York State Regents in July of 2001 and in September 2002 the lighthouse stewardship was authoritatively granted by the General Services Administration to the newly chartered Esopus Meadows Lighthouse.” (Hudson River Lighthouses)



Esopus Lighthouse with the Catskills Mountains in the background.

Taken with a Sony A7IV and Tamron Di III VXD A056SF 70-180mm f2.8.