Peekskill Riverwalk Park – Huygen’s Helmet

A nearby sign reads:

Serge Onnen
Dutch, born 1965
lives and works in Amsterdam and New York

Huygen’s Helmet, 2009
Materials: Welded metal, pvc pipe, structolite.

HVCCA exhibition ‘Double Dutch’
Support generously given by FONDS BRVB
and the Mondriaan Foundation.

Double Dutch was an exhibition celebrating the Quadricentennial of the Dutch discovery and settlement of the Hudson River, which took place between September 12, 2009 and July 26, 2010 at the Hudson Valley Center for Contemporary Art (HVCCA). The exhibition curated by Marc and Livia Straus showcased contemporary Dutch installation art.

“Double Dutch” artists included: Marc Bijl, Martha Colburn, Fendry Ekel, Dylan Graham, Folkert De Jong, Job Koelewijn, Maartje Korstanje, Alon Levin, Erik Van Lieshout, Serge Onnen, Daan Padmos, Karen Sargsyan, Lara Schnitger.

I didn’t notice until I was looking at the pictures on my computer that the ends of the projecting tubes are probably transparent. It might have been interesting to put my head up inside the “Helmet” to take a picture through some of the tubes. Might have produced some interesting results. Maybe I’ll go back and try it.

Peekskill Riverwalk Park – Arc

Peekskill Riverwalk Park is not just a pleasant walk with impressive views of Peekskill Bay and the Hudson Highlands. A number of interesting sculptures are placed along the paths. The walker can break their progress for a while, pause and consider the artwork.

This is the first of a series of posts covering some of the artworks. More can be found at:

Peekskill Riverwalk Park – Sam Oitice Heroes Remembered 9/11
Peekskill Riverwalk Park – Jan Peeck’s Vine
Peekskill Riverwalk Park – Abraham Lincoln in Peekskill
Peekskill Riverwalk Park – The Golden Mean
Peekskill Riverwalk Park – Stargate on Hudson?

The piece above is called ARC and it’s by William Logan. A nearby sign describes it as follows

ARC
William Logan
Welded Aluminum and Steel

The form of this sculpture has been abstracted from river-going vessels and nautical moorings. Its center-of-gravity has been adjusted to give it buoyancy, enabling the sculpture to respond to the wind. Welded aluminum, steel chains and shackles reinforce the nautical vocabulary, while its form reflects Peekskill’s location on the river and the curvature of the surrounding hills. The support structure allows the “arc” to move with the breeze, tipping and feathering into the wind like a boat on a mooring, while the internal ballast gives it a gently-rolling movement. The sculpture inherently indicates the wind direction, and provides a highly visible landmark designating the bend in the river at Peekskill Bay.

2014

Mr. Logan has led an interesting life as explained in the biography on his website:

William Logan was trained as an architect at Princeton and Harvard University.

After working two years for Cambridge 7 Architects, he moved to Paris where he worked on the Centre Pompidou with the architects Richard Rogers and Renzo Piano. During this period he came into contact with the renowned structural engineer, Peter Rice, who invited him to work in London at Ove Arup and Partners in the Lightweight Structures Laboratory. This in turn led to working with the pioneering German engineer, Frei Otto, in tension structures.

While in London, William built a 38’ sailing trimaran on the fifth floor of a loft next to Tower Bridge which he later sailed in the English Channel and the Mediterranean. This experimental sailboat eventually crossed the Atlantic to the British West Indies. It also incubated an awareness of structure, wind and buoyancy.

In 1979, he was invited to return to New York City by Knoll Furniture who hired him as a design consultant and licensed a number of his designs for chairs, lighting and tables. It was during this period that he started specializing in the architectural field of building envelope design and has since collaborated with numerous well-known architecture firms including Cesar Pelli, Norman Foster, DSR, Shop, OMA, Renzo Piano and many others. Hand drawing is essential to this discipline and became a daily exercise which eventually spilled over into drawings and details for sculptures.

In 1986, he moved to Hastings-on-Hudson, a river town where the views of the Hudson Highlands became a constant background and the river beckoned for new sailing experiments. He was happy to oblige with designs ranging from 32’ to 16’ which regularly sailed the river.

n 2001, the boats started morphing into large scale outdoor kinetic sculptures which would come alive under the action of the wind. Other sculptures relied on the movement of the viewer around and through the pieces. The habit of hand drawing and the conventions associated with drawing led to graphic experiments in the landscape and the development of 2D sculptures.

In 2008, he and his wife, Holly Daly, purchased a property in Old Chatham NY which had open space suitable for large scale sculpture prototypes. This allowed him to experiment with structure and movement in a windy environment prior to committing to permanent materials.

Mr. Logan holds five patents on furniture design, building systems and sailing technology. He is also an avid cyclist, having bicycled across America in 2006, competed in local events and designed innovative bicycle frames. He is also a registered architect in the State of New York.

Sky surfer

This is one of two statues standing in the forecourt to the CVS store in the Triangle Center in Yorktown Heights, New York. I have no idea who created them, nor do I even know what they are called. In the absence of such information I’ve decided to call this one “Sky surfer”.

Big Sky – detail

A plaque at the base reads: “‘Big Sky’. Al Landzberg. Donated to Yorktown, 7/10/1”. Mr. Landzberg

According to the International Sculpture Center:

Beverly Russell in Sculpture Magazine, October 1998: “Landzberg’s work suggests, without resolving the question of progress, a process that may lead us to the edge of a precipice or toward the dawn of a new era of unprecedented invention. By welding sheets of steel into monumental pieces of sculpture, he explores the mystical depths of creation, striving to unite earth and water with the air and eternity of the cosmos”.

Vivien Raynor in The New York Times, April 12,1998: “…Landzberg uses industrial materials as befits a member of the David Smith ‘school’, but his inspiration is nature…”

.

Mr. Landzberg lives in Yorktown Heights and his website can be found here. “Big Sky” is part of his “Trees” series, which he describes as follows:

My recent work consists of a series of tree sculptures. The series is about my interest in form, light, and the role of trees in our culture. The ambiguity in showing live, growing organisms by means of hard, unyielding metals produces a challenge that drives my work
.

On “Big Sky” specifically he adds:

“Big Sky”, shown in my studio, also suggests, in a much larger and more complex work, a tree-like form that is both rooted and reaching. This work’s myriad surfaces, perhaps like foliage, create a new, evocative sky-earth view: moving clouds, distant horizon, and refracting sunlight. This form’s size suggests that it has experienced the timelessness of many sunrises and sunsets.