Photographing the Photographer

I came across these two young women taking pictures the other day. It wasn’t really the best time of day to be taking pictures – but then I too was taking pictures at that time. Sometimes it’s the only time you have available. Judging by the shadows the sun was directly over the photographers shoulder and straight into the face of the subject. It was quite bright at that time so I imagine the subject was squinting rather badly. Since the light was directly on the subject I doubt there was much modeling. There was lots of nice open shade around, which would have been nice for portraits. As I know all too well, however, when you’re caught up in the process of picture taking you tend not to think of these things. They always occur to me afterwards: I should have done this; I should have done that etc. Sometimes I learn and do better the next time. More often than none I repeat the same old mistakes. I have to learn more patience and to think a little more before I start taking pictures.

What makes a boring photograph – according to Eric Kim

I can’t say exactly what makes a great photograph, but I can share what makes a boring photograph:

Poor composition (cluttered background, awkward framing, lack of focus on primary subject)

Boring subject matter

Lack of emotion, gesture, or facial expression

Cliche (Eiffel Tower and puddles)

Easy to photograph (flowers, tourist attractions)

Ugly or cheesy aesthetic (HDR, selective color)

So to simply make a great photograph, do the opposite of the list above.

via Please Tell Me My Photos Suck (And How I Can Improve).

I regularly read Eric Kim’s blog and enjoy his thoughts on photography. However, I had to take exception to this one. It’s just so subjective and dismissive of any type of photography other than the street photography he inclines to. Let’s take a look at some of his points:

Poor composition (cluttered background, awkward framing, lack of focus on primary subject). OK this one I can go along with.
Boring subject matter. Very subjective statement. What’s interesting to one person might be extremely boring to another.
Lack of emotion, gesture, or facial expression. If you like taking pictures of landscapes, or still lifes you don’t generally get a lot of emotions, gestures or facial expression. His statement show a bias towards a particular type of photography.
Cliche (Eiffel Tower and puddles). I’d tend to agree with this, but nowadays almost everything has been photographed millions of times, so almost everything is a cliche. The trick would seem to be to try to approach a cliche’d subject in a new way – without of course making it too obvious (e.g. using obviously crazy camera angles just for the sake of being different.
Easy to photograph (flowers, tourist attractions). What can I say? Again this statement shows a bias against certain types of photography. I really don’t see why just because something is easy to photograph it is inherently boring. I imagine that Edward Weston’s peppers where not that hard to photograph, but that doesn’t make them boring.
Ugly or cheesy aesthetic (HDR, selective color). I’m not particularly fond of HDR or selective color myself and these techniques can certainly be over used – and often are. However, I’m sure that there are many interesting photos taken using them. The mere use of a technique doesn’t of necessity make a picture boring.

This statement from later on in the post says it all: “I rarely trust the feedback of another photographer if I don’t like their work.” Surely this leads to a kind of “group think”. Just because you don’t like another persons work doesn’t mean that they don’t have anything useful to say. I don’t particularly incline to street photography, but I would certainly listen to anything accomplished photographers like Lee Friedlander, Bruce Gilden, Garry Winogrand (if he were still alive) had to say.

Maybe Mr. Kim should move away from street photography for a while and try something different. Take some pictures of flowers and see if he can come up with something different. From the relatively few pictures he shows he seems to be a talented photographer (much better than I am for example) so he should be able to come up with something. Many, probably most of my pictures are boring, but that’s not because of any of the reasons Mr. Kim lists. It’s because I lack the talent to make them more interesting. My hope is that through study and practice I can improve. We’ll see.

The Cynic’s Photography Dictionary on Photofocus

Ambrose Bierce

I’m a fan of the satirical and cynical definitions of Ambrose Bierce, first written as a daily newspaper column and later collected in The Devil’s Dictionary. (It was originally called the Cynic’s Word Book, but so many politicians of the day called Bierce a Devil that he felt the new title more appropriate.)

Unfortunately, very few of Mr. Bierce’s definitions apply to photography. Seeing a need that should be filled, I immediately began working on a Devil’s Dictionary of Photographic terms. Hopefully, some of you will join in and help to expand this desperately needed work.

via The Cynic’s Photography Dictionary | Photofocus.

I particularly liked:

Image Stabilization – a technologic triumph consisting of lenses, magnets, position sensors, springs, and electric motors that is nearly as effective as 3 sticks of wood attached to a base plate. See also, Tripod.

and…

Sharpness – The amount of fine detail visible in an image before it is compressed to 1/10th its original size to post online.

Weekly Discussions on Photo.net

The Style Essentials–Marlene Dietrich’s Key Light in 1932’s SHANGHAI EXPRESS

I’m a regular reader of photo.net forums, particularly ‘Classic Manual Cameras’ and ‘Casual Photo Conversations’. The latter has a weekly series of discussions – each one devoted to a single iconic photograph. Over time I’ve missed a few of them and I find the series so interesting that I thought I’d compile a list (with links) of the entire series. Then I’ll be able to read them at my leisure. The rationale given in the original post launching the series was:

Would anyone be interested in a regular discussion, perhaps each week or every other week, about a well-known photo or a lesser-known photo by a well-known photographer? Recently, there was a potentially good discussion in the Philosophy forum about one of Eugene Smith’s photos. The Philosophy forum may not have been the best place for this for a couple of reasons. One, I don’t think it gets that much traffic (or at least participation), which is understandable. Two, it may not have really been a philosophical issue.

It struck me that a discussion like that each week might be good (and fun) for folks at PN. It could evolve however the participants want. I wouldn’t necessarily see it as a critique session, though it could be that in part. It could also just be comments about the photo, how it fits into the overall body of work of the photographer, or its place historically, or something about it technically, or whatever people want to say about it. Questions could be asked and answered about it as well…/more

The latest is number 30: Charles Marville, “Place Saint-André-des-Arts (Sixth Arrondissement), 1865—1868”. Unfortunately I haven’t yet been able to find #13. I’ll try to keep this listing up to date as new posts are added.

Portrait of Marlene Dietrich — WEEKLY DISCUSSION #1.
Alli, Annie, Hannah, and Berit — WEEKLY DISCUSSION # 2.
Schaffers Crossing Roundhouse, O. Winston Link — WEEKLY DISCUSSION # 3.
The Flatiron Building–Eduard Steichen Weekly Discussion #4.
Big Cypress National Preserve 1: WEEKLY DISCUSSION #5.
Kertész’s “Chez Mondrian” : WEEKLY DISCUSSION #6.
Edgerton “.30 Bullet Piercing an Apple” : WEEKLY DISCUSSION #7.
Eisenstaedt – Drum Major at the University of Michigan – WEEKLY DISCUSSION #8.
Leibing – Leap Into Freedom – WEEKLY DISCUSSION #9.
Henri Cartier-Bresson: “Hyères, 1932” WEEKLY DISCUSSION #10.
Sam Haskins, “In the Studio” Weekly Discussion #11.
Suzanne Heintz – Life Once Removed – WEEKLY DISCUSSION #12.
Eisenstaedt – Children at a Puppet Show, 1963 – WEEKLY DISCUSSION #14.
Vivian Maier – 1954. New York, NY – WEEKLY DISCUSSION # 15.
I. Russel Sorgi – 1942 WEEKLY DISCUSSION #16.
William Mortensen – WEEKLY DISCUSSION #17.
Pablo Casals, 1954, by Yousuf Karsh – WEEKLY DISCUSSION #18.
Untitled Photography by Henri Brassai: His Secret Paris – Weekly Discussion #19.
Masahisa Fukase “The Solitude of Ravens” – Weekly Discussion #20.
WEEKLY DISCUSSION #21 Elliott Erwitt “Segregated Water Fountains”.
Saigon Execution photographed by Eddie Adams, 1968: WEEKLY DISCUSSION #22.
WEEKLY DISCUSSION #23: Duane Michals – singing women / singing men.
WEEKLY DISCUSSION #24 W. Eugene Smith’s 1948 photo essay: Country Doctor.
WEEKLY DISCUSSION #25 Edward Burtynsky Water Project.
WEEKLY DISCUSSION #26: Minor White. Capitol Reef, 1962..
WEEKLY DISCUSSION # 27 – Hill and Adamson – Scottish Fishwives, Washaday Group.- c1843.
WEEKLY DISCUSSION #28: Charles C. Ebbets “Lunch Atop a Skyscraper”.
WEEKLY DISCUSSION #29: Joe Rosenthal – “Raising the Flag on Iwo Jima”.
WEEKLY DISCUSSION #30: Charles Marville, “Place Saint-André-des-Arts (Sixth Arrondissement), 1865—1868”.
WEEKLY DISCUSSION No.31 – Winston Churchill Portraits by Yousuf Karsh.
WEEKLY DISCUSSION #32: A Hard Day’s Night by photographer Astrid Kirchherr.
Weekly Discussion #33: Elliot Erwitt
Weekly Discussion #34: “American Gothic, Washington DC” by Gordon Parks
Weekly Discussion #35: “Two Nuns” by A. Aubrey Bodine
Weekly Discussion #36: “The Kiss” by Joan Fontcuberta
WEEKLY DISCUSSION #37 Ken Heyman Photos.

WEEKLY DISCUSSION 2.0 #1 – Bill Brandt.
WEEKLY DISCUSSION 2.0 #2 – Philip-Lorca diCorcia
WEEKLY DISCUSSION 2.0 #3 – Truman Capote x 3
WEEKLY DISCUSSION 2.0 #4 – Harry Callahan (color)
WEEKLY DISCUSSION 2.0 #5 – Aleksandr Rodchenko
WEEKLY DISCUSSION 2.0 #6 – Cole Weston
WEEKLY DISCUSSION 2.0 #7 – Werner Mantz
WEEKLY DISCUSSION 2.0 #8 – Martin Parr
WEEKLY DISCUSSION 2.0 #9 – Francesca Woodman
WEEKLY DISCUSSION 2.0 #10 – Nicholas Nixon
WEEKLY DISCUSSION 2.0 #11 – David LaChapelle
WEEKLY DISCUSSION 2.0 #12 – Eikoh Hosoe
WEEKLY DISCUSSION 2.0 #13 – Imogen Cunningham