Yesterday we had our first snowfall of the season. There wasn’t much – maybe around an inch. By the end of the day most of it had gone.
Taken with a Sony A7IV and Tamron Di III VXD A056SF 70-180mm f2.8.
Photographs and thoughts on photography and camera collecting
One of my favorite YouTube channels is Alex Kilbee’s The Photographic Eye. Today I watched this fascinating interview with Dan Winters.
According to the biography on his website:
After studying photography Moorpark College in Southern California, Dan Winters finished his formal education at the documentary film school at Ludwig Maximilian University of Munich, Germany. He began his career in photography as a photojournalist in his hometown in Ventura County, California. After winning several regional awards for his work, he moved to New York City, where magazine assignments came rapidly. Known for the broad range of subject matter he is able to interpret, he is widely recognized for his unusual celebrity portraiture, his scientific photography, photo illustrations, drawings and photojournalistic stories. Winters has won over one hundred national and international awards from American Photography, Communication Arts, The Society of Publication Designers, PDN, The Art Directors Club of New York, Life Magazine. He was awarded a World Press Photo Award in the Arts and Entertainment category in 2003. He was also awarded the prestigious Alfred Eisenstaedt Award for Magazine Photography. In 2003, he was honored by Kodak as a photo “Icon” in their biographical “Legends” series.
He has had multiple solo gallery exhibitions in New York and Los Angeles and a solo exhibition at the Telfair Museum Jepson Center for the Arts in Savannah. His work is in the permanent collections at the National Portrait Gallery, Museum of Fine Art, Houston, The Harry Ransom Center and the Wittliff Collection at Texas State University, San Marcos. His books include “Dan Winters’ America: Icons and Ingenuity”, “Last Launch”, “Periodical Photographs”, “Road To Seeing”, which chronicles his path to becoming a photographer and “The Grey Ghost”, which is a selection from 30 years of his New York street photography.
Clients include Esquire, GQ, Vanity Fair, The New York Times Magazine, The New Yorker, New York Magazine, TIME, WIRED, National Geographic, Smithsonian Magazine, Fortune, Variety, W, Entertainment Weekly, Rolling Stone, Newsweek, Golf Digest, Vanity Fair and many other national and international publications. Advertising clients include Apple, Netflix, Samsung, Microsoft, Nike, Target, LG, Hewlett-Packard, Sony, Bose, Amazon, HBO, Saturn, Sega, Fila, Cobra, Warner Brothers, NBCUniversal, Paramount, DreamWorks, Columbia TriStar and Twentieth Century Fox, RCA, Atlantic Records, A&M, Sony, Warner Brothers, Elektra, Interscope and Epitaph.
“If you’re a true-born Kingstonian, you probably remember the days when our Mariner’s Harbor building was home to the Daily Freeman.
Back in the day, lower Broadway was the hub of our great city. Rondout Savings Bank was nearby. So was B & F Market, the post office, the Orpheum Theater, the shoe-shine shop, the five-and-dime store and Rookie’s Tavern on the Strand.
Those were the days when newspaper people were portrayed in the movies as heroes—the Cary Grants and the Clark Gables of a bygone era.
The Freeman occupied our historic building that dates back even further to 1851 when Jewish businessman Israel Sampson built it as the Sampson Opera House. A couple of fires—one in 1874 and another in 1885—destroyed much of the buildings original features. Some, like the cast-iron pillars at the ground level of our three-storied building remain in tact. It became the official home to the Daily Freeman in 1911, some 20 years after Jay Klock bought it in 1891.
Today when you visit our restaurant, you’ll come in through a corner door. Above it hangs a sculpted swordfish. Back in the day, the double doors leading into the Freeman were on the lower Broadway side.
Edward Palladino, a former city editor at the Freeman and 31 year veteran of the paper, shared with us, “All three stories of the building were used at the newspaper.” The editorial department occupied the second floor. It was the place where Palladino and the other news people settled down each morning to hunt the day’s stories. Back then, the Freeman was an afternoon paper. The presses would start their run at around 2 pm, and former Freeman staffer Bob Haines recalls what it was like. “Once the presses got going, the whole building would shake,” says Haines who worked as a Freeman photographer from 1967 till 2007. “I would come in each morning to pick up my assignments for the day, and I’d drop my pictures by at night.” Haines said he often put his finished work in a dumb waiter that would carry items up to the editorial floor. “We used to throw in all kinds of stuff like half-eaten baloney sandwiches, and once, someone put a cat in there. It was a real fun place to work,” Haines shared.
“It was a great atmosphere,” Palladino agreed. “The newspaper business to me is one of the most fascinating businesses in the world because everyday there’s something new.”
When Joan Saehloff was hired in 1950, the Freeman was still owned by the Klock family. After Saehloff put in her time as an “office girl,” she worked her way up to Society Page editor. “The downtown Freeman was just like what you’d see in the old movies. It was a busy place, and you could smell the paste pots and the ink,” says Saehloff, who at age 18 was in charge of the newspaper delivery boys. “You could see the big printing presses through the window.” Now those windows overlook the Rondout Creek.” (Mariners Harbor Website).
“Only the old-timers like us would remember. Overtime I go there, there’s a lot of nostalgia,” said Palladino.
We’re proud of our history here in Kingston!
Taken with a Sony A7IV and Rokinon/Samyang AF 24-70 f2.8 FE
“If this yacht could talk, it would probably be able to tell some amazing tales.
On Monday afternoon, a luxury yacht designed to look like a pirate ship docked in Kingston, NY. If the 156-foot vessel looks familiar, it’s because the famous boat has been photographed countless times by the paparazzi.
The ship was purchased by Johnny Depp back in 2007 and named Vajoliroja. At the time, Depp was dating Vanessa Paradis. The name was created by combining both of their names with the names of their children, Lily-Rose and Jack.
After purchasing the yacht, Depp hired famed interior designer LM Pagano to renovate it. According to Insider, Pagano draped the interior of the ship in velvet and other luxurious fabrics in an effort to make it feel like “the Orient Express on the ocean.”
After Depp parted ways with Paradis and started dating Amber Heard in 2017 he renamed the vessel Amphitrite. The boat even played a part in their infamous trial. Heard claimed that the actor assaulted her on the yacht by hitting her against a wall. She accused Depp of drinking too much because he was angry he had to sell the boat. Depp denied the accusation, but he did wind up selling the yacht to another huge celebrity in 2015.
The Amphitrite was purchased seven years ago by famed novelist J.K. Rowling for a reported $27 million. The Harry Potter author may have actually scored a great deal on the yacht which includes a Jacuzzi, helicopter pad and a small swimming pool. The interior of the boat hides five luxury cabins. Insider says three of the cabins are furnished with double beds, and the other two children’s rooms have twin beds. All of the bedrooms have their own private bathroom.
There was lots of buzz when the ship, now called Arriva, showed up on the Hudson River in 2020. Locals were heading to the river in hopes of catching a glimpse of Rowling, but that may have been a waste of time. It appears the boat was sold by the author and is now owned by a wealthy businessman.” (Yacht Once Owned by Johnny Depp Spotted in Kingston, We Peek Inside which also includes a number of interior shots)
I’ve also read that the Arriva is usually docked on the Long Island Sound, but that the present owner brings it up the Hudson River once a year so he can enjoy the fall foliage.
Taken with a Sony A7IV and Rokinon/Samyang AF 24-70 f2.8 FE