Lunch in Yonkers, NY – St John’s Episcopal Church

St. John’s Church is a historic Episcopal church at One Hudson Street in the Getty Square neighborhood of Yonkers, Westchester County, New York. The complex includes the church, chapel, rectory, parish house, and school. The church was originally constructed in 1752, with an addition in 1849, and modifications to the front facade in 1874 by architect Edward Tuckerman Potter (1831–1904). It is constructed of rough gray fieldstone with red brick on the corners. It is cruciform in plan, three bays wide, with a slate-covered gable roof. The front facade features a rose window and four battered buttresses. The parish house and chapel were constructed in 1890–1891 and are connected to the church. The 2+1⁄2-story, five-bay-wide rectory was also constructed in 1890–1891 and is connected to the chapel. The additions made during 1890–1891 were by architect Robert Henderson Robertson (1849–1919). A group of women from the church founded St. John’s Riverside Hospital in 1869 to care for the poor of the parish.

It was added to the National Register of Historic Places in 1982.


“Eva Smith Cochran was a member of St. John’s Church in the later part of the 19th Century and she left our city a shining example of vision and generosity. Her work and personal commitment were instrumental in the creation of enduring institutions in Yonkers, namely, St. John’s Riverside Hospital, The Cochran School of Nursing, Philipse Manor Hall, and St. John’s Episcopal Church. She was also instrumental in the creation of the Hollywood Working Men’s Club, which is now disbanded, and whose stunning Victorian structure has been demolished. She also built the St. Andrew’s Memorial Episcopal Church which was destroyed by fire. Her Son was also responsible for the founding of a hospital for those suffering from Tuberculosis which was located on Ridge Hill.

Her love for Yonkers and her neighbor are no better demonstrated than in her endowing the “Cool water fountain” located at the corner of Hudson Street and South Broadway, at the Southeast corner of the St. John’s Church campus. She designed this fountain to provide cool water for the many people who worked and shopped in Getty Square. It was a fitting monument for that location as the Christian faith sees refreshing water as a symbol for the spiritual support God gives to us through grace, love, forgiveness and healing. Our bodies have spirits, our spirits have bodies, and compassion honors both.” (St. John’s Church website).

Taken with a Fuji X-E3 and Fuji XC 16-50mm f3.5-5.6 OSS II

Lunch in Yonkers, NY – A Couple of Murals

Yonkers seems to have a lot of murals. Here are just two of them.

Above: Detail of a mural by Dutch artist, Eelco van den Berg overlooks Mill Street Courtyard in downtown Yonkers. The public space was designed around a newly recovered portion of the Saw Mill River.


A contemporary wall mural by street artist Fumero on the side of the Herald Statesman building in Yonkers, New York.

Taken with a Fuji X-E3 and Fuji XC 16-50mm f3.5-5.6 OSS II

Lunch in Yonkers, NY – Spanish American War Monument

Sculpted marble block with a bronze plaque depicting soldiers (I missed this plaque) and topped with a bronze statue of a soldier carrying a gun.

The front of the base shows an eagle and an inscription which reads:

Erected by the City of Yonkers
To
Her Soldiers, Sailors and Marines
Of the Spanish American War, The
Philippine Islands Insurrection
And Boxer Uprising
1928

I don’t recall having seen a monument to the Spanish American War before.

Taken with a Fuji X-E3 and Fuji XC 16-50mm f3.5-5.6 OSS II

Lunch in Yonkers, NY – Philipse Manor Hall State Historic Site

One of my main reasons for going into Yonkers early was to take a look at this building. I’d passed by it in a car a couple of times and was amazed to see a pre-revolutionary war building right next to the more modern buildings of today’s Yonkers. Unfortunately, I was to be disappointed. The building is temporarily closed for what appear to be extensive renovations. It’s completely fenced off and it’s almost impossible to take pictures. However, I decided to pluck up my courage and went a little bit into the building site – to a prefabricated structure where I assumed the people responsible for the work would be. I asked if I could take some pictures, and they told me that I could as long as I stayed closed to their office and didn’t wander into the work site. It was from this position that I took the above picture.

The New York Parks, Recreation and Historic Preservation site describes the building as follows:

On November 28, 1776, the same year that 56 Americans signed the Declaration of Independence, well over 200 colonial New Yorkers placed their signatures on a “Declaration of Dependence.” These signers were Loyalists, citizens who remained faithful to their sovereign, George III, King of Great Britain. Prominent among the signatures was that of Frederick Philipse III, Lord of the vast Manor of Philipsburg and resident of the elegant mansion known today as Philipse Manor Hall. Frederick Philipse III and his family lived in luxury, well supported by rents from the many tenant farms on his property. Times were changing, however, and while others rebelled against Great Britain, Frederick III defended the Crown. His Loyalist beliefs were so strong that General George Washington ordered him arrested in 1776. Philipse and his family later fled to British occupied New York City and then to England, where the last “Lord of the Manor”, broken in spirit and health, died in 1786. His land and his mansion were confiscated by the New York State Legislature and sold at public auction.

In 1868, after passing through the hands of many owners, the house became Yonkers Village Hall and, in 1872, the first City Hall. By the 20th century, city growth threatened the Manor Hall’s future until it was acquired by New York State in 1908 with the generous help of the Cochran Family of Yonkers. Today, Philipse Manor Hall serves as a museum of history, art and architecture, as well as host to community organizations, meetings, educational programs and special events. Highlights of the Hall include its 18th century, high style Georgian architecture, a 1750s papier mache Rococo ceiling, and an impressive collection of presidential portraits, including the six Presidents from New York State.A Community Gallery has been created at Philipse Manor Hall to display materials which support the Manor Hall’s programs and services and relate to the local community.

Additional information can be found here.

“Standing the east grounds of the Manor Hall in Yonkers is the Soldiers and Sailors Monument erected under the auspices the Soldiers and Sailors Monument Association. The monument cost approximately $13,000 to build Standing the east grounds of the Manor Hall in Yonkers is the Soldiers and Sailors Monument erected under the auspices the Soldiers and Sailors Monument Association. The monument cost approximately $13,000 to build and the money was raise by subscriptions from local individuals and organizations.

Its granite shaft is 9 ft. square at the base and the overall height of the monument is 46ft. high. On May 30, 1888, at a Memorial Day service, William Allen Butler, a Yonkers lawyer and poet, suggested a monument to remember the Yonkers soldiers who had fought to preserve the union during the Civil War. His vision was realized three years later, on September 17 1891 when the Soldiers’ and Sailors’ Monument was dedicated on the grounds of Philipse Manor Hall

The statuary consists of five pieces, representing the Infantry, Artillery, Cavalry, and Navy and there is an 8 Ft figure of a Flag-Bearer on top. Each one was from entirely new and original designs. The figure of the sailor and was designed by Lt. Washington Irving Chambers of the USS Petrel and the remaining three statues were designed by James Edward Kelly of New York City. Each of four bronze lower statues are 7 ft. feet high and were sculpted by Mr. Lorado Taft and cast by the American Brass Company of Chicago.

As was typical of monument unveilings there were several speeches by local politicians, appointed officials, other dignitaries and prominent military veterans. The New York Times of September 18, 1891 reported that an estimated 20,000 people attended the ceremony and the parade which includes several bands and units of the National Guard and of the Grand Army of the Republic. The article concluded with an account of the evening’s celebratory events:

“At night, there was a beautiful illuminated parade of yachts on the river. There were about 60 boats of the Corinthian Club towed in three divisions by steam launches. They were all decorated from stem to sterm with colored lanterns and were setting of Greek fire and rockets with a profusion that was bewildering. The enchantment of the scene was added to by the big electric flash light of the [USS] Boston which kept playing in and out among the illuminated yachts, After the boat parade there was a hop at the yacht club house.”

The upper statue of the Color-Bearer measures eight feet to the head, and eleven feet to top of the flagpole. He stands with cannon and balls at his feet and is in the act of drawing his sword to defend the flag. It was sculptured from Ryegate, Vermont granite. The Infantry Statue is on the east façade of the monument and the soldier demonstrates the “fix bayonets” position. The inscriptions immediately below him read as follows: “PATRIOTISM TO HONOR THE MEN OF YONKERS WHO FOUGHT TO SAVE THE UNION. SLAVERY ABOLISHED.”

This dismounted cavalryman stands on the south façade of the monument. Below him are the following inscriptions: “VALOR MY PARAMOUNT OBJECT IS TO SAVE THE UNION. -LINCOLN” and “LET US HAVE PEACE -GRANT”

This sailor stands on the west façade of the monument with his sword ready to engage the enemy in hand-to-hand combat. The inscriptions below the sailor reads: “COURAGE THE UNION MUST AND SHALL BE PRESERVED. -JACKSON.” and “THE UNION SAVED.” This statue of an artilleryman stands on the north façade of the monument and has the following inscriptions below him: “ENDURANCE THE UNION IS THE PALLADIUM OF OUR SAFETY AND PROSPERITY – WASHINGTON” and “CREDIT MAINTAINED”” (New York Almanack).

Unfortunately I couldn’t show it in all it’s glory as the bottom part was covered by one of the numerous fences.

Taken with a Fuji X-E3 and Fuji XC 16-50mm f3.5-5.6 OSS II

Lunch in Yonkers, NY – Gold Star Mothers Memorial

American Gold Star Mothers Memorial is a monument in downtown Yonkers, NY, dedicated to the Gold Star Mothers. They are the mothers who lost a son or a daughter during their military service in the US Armed Forces. The initiator for the Gold Star Mothers organization was Grace Darling Seibold, who lost her son in WW1. Seibold gathered a group of mothers who lost a child during the war, for mutual support and to assist hospitalized veterans. They named their group after the Gold Star that families hang on their window honoring the deceased veteran. The national organization was officially founded in 1928 and was chartered by the US Congress.

At the center of the memorial is a statue of a woman sitting on a chair. She is cradling the folded American flag that covered her child’s coffin in her hands, the same way she held her child as a baby. She is gazing at the sky, feeling “the mixture of pride and grief.” On her background are the American flag and the Gold Star Mothers’ flag. To her left, on a black granite stone, a sign reads:

“GOLD STAR MOTHERS
“They also serve who only stand and wait”
John Milton.”

Under the text are the symbols of six armed forces of the Department of Defense. To her right, an image from a funeral is presented on a black granite stone.

The sculpture was created by the New Windsor artist Richard Masloski and was unveiled on October 15th, 2006, in downtown Yonkers, in front of the train station, where many mothers saw their child taking to the battle and never coming back.

Taken with a Fuji X-E3 and Fuji XC 16-50mm f3.5-5.6 OSS II