Viviane Maier – The saga continues

UPDATE: A recent article on The Online Photographer (A Clarification of the Vivian Maier Case) sheds more light on what’s going on here.

After a lifetime of taking photos this poor woman died in virtual poverty – unable to pay for the storage locker where these photographs were eventually found. It’s pretty clear that she didn’t want to share them with others or she would probably have done so during her lifetime. Then after her death the sharks start to circle. The “money grabbers” seem now to have reached a agreement to share the spoils – Hurray!

The messy legal battle surrounding the life’s work of nanny and amateur street photographer Vivian Maier may finally be coming to a close in less than a week.In case the legal snafu has gotten so complicated you simply stopped following it, here’s a not-so-quick refresher: in 2007, 26-year-old John Maloof bought a box of 30,000 negatives from an estate sale for $400; his collection later grew to over 100,000 images. These images—the life’s work of then-unknown amateur street photographer and nanny Vivian Maier—took the world by storm, being hailed by some as some of the greatest street photography of the 20th century.But not long after Maloof unveiled the collection and the story took on a life of its own, a legal battle began over who really owns the images and whether or not it was legal for Maloof to sell and publicize the images before he obtained the rights, which he later did from one of Maier’s first cousin once removed. There’s even a question of whether that cousin is the rightful heir to the Maier estate.

Source: Petapixel: The Messy Legal Battle Over Vivian Maier’s Work May Soon Be Over

Revisiting some old pictures taken with a very simple camera

NY Street Vendor.

Back in 2012 I posted some pictures taken with a “plastic fantastic” Bell and Howell Camera (see Bell & Howell). I don’t know how long the film had been in that camera (probably years) and the scans were poor and low resolution (done in a local CVS). The colors were also way off, a situation which I solved at that time by converting the images to black and white.

I recently came across these images again and this time I decided to see if I could correct the colors. This is the result – not great, but not too bad for a crummy plastic camera.

42nd street around First Avenue looking West.

Entrance courtyard at Tudor City.

The chair in the corner

The original color version of this picture was all earth tones: browns, oranges etc. At first I was inclined to post it that way, but then I thought – what would it look like in black and white? The initial answer was – terrible!!! All of the colors converted into similar tones and the whole thing just blended together into a mess. At that point I was set to go back to the color version. But then I thought – no, this is a challenge. Can I make a decent black and white picture out of this? After some tinkering around HSL/Color/B&W panel in Lightroom and other assorted plugins I came up with this. I’m quite pleased with the end result.

Springwood – Seated FDR and Eleanor group

Located near the Vistor’s Center at Springwood a nearby sign reads: “This statue is adapted from a 1933 photograph in the FDR Library of Franklin and Eleanor Roosevelt on the south lawn of their Hyde Park home”. Unfortunately it didn’t say who the sculptor was. Perhaps there was another sign and I missed it (quite possible as I had already been soaked while walking the dog and it was still raining when I went out to take this picture so I didn’t spend long outside looking).

According to Waymarking.com:

A bronze sit-by-me sculpture of Franklin D. and Eleanor Roosevelt is base (sic) on a photograph taken on the south lawn of their home in Hyde Park, NY. Eleanor is sitting on a chair while Franklin is seated on the right side of a bench. They are seated around a small circular table which contains two closed books and an open book.

Eleanor is wearing a dress with a half-sleeve jacket. She has her hands at waist level and her legs are crossed, left over right. Franklin is wearing a business suit and tie. He has his right arm on the back of the bench and his left hand on the opened book. There is space to sit to Franklin’s right and left.

The sculpture was created by Studio EIS of New York City, cast at the Tallix foundry and copyrighted in 2008. For more information on the foundry see the 2015 New York Times article: At Polich Tallix Fine Art Foundry, Master of Metals Is Artists’ Ally