A Visit to Boston – Day Three – A budding photographer

Back in Back Bay Station I was waiting for my train to leave when I heard a voice asking me if I was a photographer. I turned towards the voice and saw this woman sitting next to me. I replied that I was an enthusiastic amateur photographer, but not a professional (as if that makes much difference). She told me that she had started to get into photography and we chatted for a while, with me encouraging her in her photographic journal, which she was just beginning. Then it was time for me to leave.

She gave me her name, but I have a terrible memory for names and can’t remember what it was.

I wish her luck. It’s not an easy journey, particularly if you want to make money from your photography.

Taken with a Sony A6000 and 18-135mm f3.5-5.6 OSS.

A Visit to Boston – Day Three – The lowly pigeon

And why not? They deserve their time in the sun too! They’re not unattractive and, as a species, incredibly successful.

My grandfather used to race pigeons. I grew up in the UK and someone would pick them up and take them over to somewhere in Europe, where they were released, the time of the release being recorded. Somehow, they would make their way back to his house. He would take the ring from their leg, inset it into some kind of machine and record the time that they arrived. I don’t know if he got some kind of prize if his pigeons arrived first. Must have been something like that because from time to time, the pigeons would return, but instead of alighting in their coop they would instead land on the roof of the house. Of course, he couldn’t get to them there and they were wasting valuable time. He would get quite angry, shouting and screaming at them to get off the roof.

He was also quite ruthless. If a pigeon was not performing, it was in the pot. I was quite close to one of them and when I discovered that my friend was my dinner (or tea as we called it where I grew up in the north of England) I was distraught.

I also have pleasant memories of eating pigeon outdoors with my late wife on the banks of the Nile River in Egypt. I believe we were in a cafe called the “Cafe des Pigeons”. It was swarming with Egyptian cats that looked as if they had just stepped out of the hieroglyphics on the wall of a tomb. I couldn’t find it through Google, so it might no longer exist.

Taken with a Sony A6000 and 18-135mm f3.5-5.6 OSS

A Visit to Boston – Day Three – Trinity Church

According to the history section of the church’s website:

Trinity Church in the City of Boston is recognized for its National Historic Landmark building, considered by members of the American Association of Architects as one of this country’s top 10 buildings. The parish that calls it home was actually founded in 1733, more than 150 years before the current church was built.

TRINITY’S RECTORS
Phillips Brooks, Rector from 1869-1891, is considered the greatest American preacher of the 19th century; his sermons are still read. His Christmas carol, “O Little Town of Bethlehem,” is how most Americans might know him today. Other influential Rectors known for their preaching have included the Rev. Theodore Parker Ferris (1942-1972) and the Rev. Spencer Rice (1982- 1992).

THE BUILDING
The famous Copley Square building is the third home to this parish. The first two were located in what is now the Downtown Crossing area of Boston. After the second church was destroyed by the Great Fire of 1872, Brooks moved the parish to Boston’s new Back Bay neighborhood, a recently land-filled marsh.

The builders of the existing Trinity Church—Phillips Brooks, H. H. Richardson, John La Farge, Robert Treat Paine, Sarah Wyman Whitman and many others—envisioned the new space for worship unlike any other. The stunning result catapulted this new church building into the first rank of American art and architecture.

The needs of the parish have changed over the years. In the late 1990s, under the leadership of its Rector, the Rev. Samuel T. Lloyd, the parish launched another ambitious building project. Much needed common space for programs and ministries—today’s Undercroft—was created by excavating more than 13,000 square feet below the church. The adjoining Parish House was renovated, and Aeolian-Skinner organs repaired. At the same time, innovative, eco-sensitive new technologies were installed for the heating/cooling systems.

MURALS AND STAINED GLASS WINDOWS RESTORATION
Painter John La Farge aimed to create “the feeling that you are walking into a painting” with his murals that cover nearly every inch of Trinity’s church interior. By 2000, the ravages of pollution and natural elements had begun to damage this priceless artwork. Ten stained glass windows were also in need of care. Conservation specialists stabilized and cleaned surfaces in the Central Tower in addition to restoring and preserving priceless murals while stained-glass experts cleaned and releaded ten windows. The rest of the church interior needs similar care.

SERVICE TO THE COMMUNITY
Thriving outreach ministries have been as much a part of Trinity’s DNA as its architecture, preaching, teaching, and pastoral care. With our baptismal vows, we promise to seek and serve Christ in all persons, and to strive for justice, peace, and dignity among all people. These ministries have often reflected the needs of the time—job training and child care for recent immigrants, responding to health crises such as tuberculosis and AIDS, feeding the hungry, and helping to house the elderly and homeless.

Trinity has long been a leader in establishing transformational programs for people in the city. Many of these programs continue as independent entities today. Trinity Church Home for the Aged, founded in 1910, is an offshoot of parish ministry. It now serves the community as Sherrill House, a nonprofit skilled nursing and rehabilitation facility. In the 1980s, AIDS Support Committee’s work led to the founding of Trinity Hospice, and a new residence for HIV-positive clients. In partnership with Pine Street Inn, another Trinity ministry known as Yearwood House that was established in 2007 provides independent housing to previously homeless persons.

Perhaps most notably, in the 1990s Trinity established two programs that have continued to grow and support Boston’s youth. Trinity Education for Excellence Program (TEEP) and Trinity Boston Counseling Center (TBCC), became part of the Trinity Boston Foundation (TBF), which was established in 2007 as an affiliated nonprofit organization to grow these programs with additional support from outside the parish

Below: reflection of Trinity Church in a neighboring building.

Taken with a Sony A6000 and 18-135mm f3.5-5.6 OSS

A Visit to Boston – Day Three – Phillips Brooks Statue

This statue of Phillips Brooks is installed outside the Trinity Church. The memorial is credited to sculptors Augustus Saint-Gaudens, Frances Grimes, and architects Stanford White and Charles Follen McKim. It was commissioned in 1893 by the church congregation for $80,000 and completed from 1907–1910.

The bronze statues of Brooks and Jesus stand in a domed marble niche that measures approximately 17 ft. x 14 ft. 1 in. x 38 in. The figures rest on a granite base that measures approximately 5 x 11 x 9 ft.

An inscription on the front of the base reads in bronze lettering: “PHILLIPS BROOKS / PREACHER OF THE WORD OF GOD / LOVER OF MANKIND / BORN IN BOSTON AD MDCCCXXXV / DIED IN BOSTON AD MDCCCXCIII / THIS MONUMENT IS ERECTED BY / HIS FELLOW CITIZENS AD MCMX”.

Phillips Brooks (December 13, 1835 – January 23, 1893) was an American Episcopal clergyman and author, long the Rector of Boston’s Trinity Church and briefly Bishop of Massachusetts. He wrote the lyrics of the Christmas hymn, “O Little Town of Bethlehem”. He is honored on the Episcopal Church liturgical calendar on January 23.

Taken with a Sony A6000 and 18-135mm f3.5-5.6 OSS