Snakeskin

It’s seems that Sunday, September 22 was my day for wildlife.

I had no sooner finished with the vultures (See: Vultures on my roof) when I came across this by my front door.

A couple of snakes live under my porch (see below). I used to see them basking in front of my door. As soon as they heard me coming, they’d slither away at high speed. I haven’t seen them for a while, but I guess that at least one of them is still around as I just came across this molted snakeskin. This individual seems be a little over three feet long.

Taken with a Sony RX10 IV

Vultures on my roof

Warning: the last picture is rather gruesome. If you have a sensitive nature you might want to avoid it.

Almost two weeks ago I was reading in my bedroom when heard the sound of something running around on the roof above me. I thought – maybe squirrels? I’ve heard them before and didn’t think much of it. However, as time went on the sound continued and seemed rather loud for squirrels so I went out onto the balcony outside my room to see if I could find out what was going on.

This is what I found:

It’s a vulture. We have two types of vultures in the Hudson Valley:

Turkey Vultures. Turkey Vultures are large dark birds with long, broad wings. Bigger than other raptors except eagles and condors, they have long “fingers” at their wingtips and long tails that extend past their toe tips in flight. When soaring, Turkey Vultures hold their wings slightly raised, making a ‘V’ when seen head-on. They’re smaller than an eagle; larger than a Red-tailed Hawk – about the size of a goose. They appear black from a distance but up close are dark brown with a featherless red head and pale bill. While most of their body and forewing are dark, the undersides of the flight feathers (along the trailing edge and wingtips) are paler, giving a two-toned appearance. The Turkey Vulture uses its sense of smell to locate carrion. The part of its brain responsible for processing smells is particularly large, compared to other birds. Its heightened ability to detect odors — it can detect just a few parts per trillion — allows it to find dead animals below a forest canopy. The Turkey Vulture maintains stability and lift at low altitudes by holding its wings up in a slight dihedral (V-shape) and teetering from side to side while flying. It flies low to the ground to pick up the scent of dead animals.

Black Vultures. Black Vultures are relatively new to this area. They are smaller than Turkey Vultures and more aggressive. Where the Turkey vulture has a bare red head, black vultures have a grey, or black head. They don’t have as good a sense of smell as the Turkey vulture so to find food they follow the Turkey vultures around.

These were Black vultures, and there were five of them. At first, I was a little concerned for my cat, but after some more research I discovered that Black vultures (like other vultures) are primarily carrion eaters. Turkey vultures eat only carrion whereas the more aggressive Black vultures have been known to go after newborn or sick (but still living) animals. However, they won’t go after a healthy, full-grown cat. It’s too dangerous. They might get seriously hurt and a badly injured vulture wouldn’t last long. In any case, after seeing my cat in action I’d fancy her chances. She’s a Maine Coon and fairly large. She also has extremely fast reflexes and very sharp claws.


After a while they all flew off, and I spotted them on a nearby dead tree. Eventually, they disappeared entirely leaving me with a mystery: why were they bouncing about on my roof in the first place?. At first, I thought that maybe one of them had taken a small, dead animal up onto the roof and the others had followed.

But I was wrong about that. Eventually, I figured out why they were there. I was sitting on the balcony eating lunch when I looked into the meadow in front of my house and noticed something I hadn’t seen before. It was some distance away and at first glance it looked like a fallen branch, but it couldn’t be as there were no trees nearby. I had a camera with a long telephoto lens in my bedroom, so I took a closer look. It was a dead deer! Of course, I had to go down and take a closer look. I also took a couple of pictures, one of which is below.

Since then almost two weeks have passed, and the vultures have not returned. I guess they must have had their fill.

First picture taken with an iPhone SE II, others with a Taken with a Sony RX10 IV

Photography: Essays and Images

The back cover of the book provides the following, which describes the book better than I possibly could:

This handsomely illustrated volume presents a fascinating pictorial and literary experience, bringing to life through their own words – and photographs – the scientists, artists, philosophers, innovators and entrepreneurs who in the last century (Note: the book was published in 1980) and a half have formulated a new art and a new era of communication.

Beaumont Newhall calls this book “an autobiography of the art of photography, written by some of the men and women who by their inventive genius, their scientific skill, and their artistic sensibility have forged a technique into a vital visual medium. We have allowed them to speak to us directly, without condensing, excerpting, or otherwise editing their words, so the volume may be both an authentic source book for students of the history of photography as an art and a narrative for the general reader”.

Mr. Newhall has chosen 190 photographs to illustrate the reports, criticism, and points of view expressed by the writers of the “autobiography,” many from the photographic archive of the Museum of Modern Art, others from collections throughout the world. He also provides brief introductory comments to place each selection in historical context. Photographs and text are carefully integrated.

The selections in this volume include first-person accounts of the inventions of the basic photographic techniques; newspaper reports of the discovery of the daguerreotype and of early photographic exhibitions; criticism by Baudelaire, Léger, Moholy-Nagy; personal statements from Stieglitz, Steichen, Strand, Lange, Adams, Weston, Evans and others. This basic source material, presented at length and accompanied by relevant photographs, provides a rich background for the chronological history of the medium so masterfully presented by Mr. Newhall in his classic work, The History of Photography.

To give a better sense of the scope of the work I’ve scanned the table of contents (see below)



A Trailer

I guess I just liked the colors and the graffiti (if that’s what it is). At first, I thought it was just an abandoned trailer. Curiously it’s right next to a fairly flashy restaurant and an equally fancy yacht club. I still wonder why it’s there, but I suspect that it’s not abandoned. Look at the tires. If it had been abandoned for some time surely they would have been flat.

Taken with a Sony RX10 IV

Abstract composition with wires

I went for lunch by the River Hudson Today. On my table was a glass jar with a bunch of wires in it. I have no idea what, if anything, this means, but it looked somewhat interesting, so I took a picture of it.

When I started to process it on the computer, I realized that by removing the context of the jar I got a nice abstract composition. At least I think so.

Taken with a Sony RX10 IV