Trying out Infrared Photography – Second and Third Attempts

I’d been reading extensively about infrared photography, and was now more comfortable – comfortable, but not yet good. I had a least figured out how to create a custom white balance using the Adobe DNG Profile Editor.

So I went for a walk around my neighborhood. The weather was not really the best for infrared photography. It was very cloudy, and only rarely did the sun appear. I became convinced that the pictures would be no good and decided to go back the same locations in better light and do them all again. As it turned out I quite liked the pictures taken on the cloudy day. So this batch includes a mixture of pictures from both the second and third attempts.




























Taken with a Sony F828 and fixed Zeiss 28-200mm f2-2.8

Briarcliff Manor Congregational Church Parish Hall

The Briarcliff Manor Congregational Church is holding its annual Rummage Sale this weekend, 29 April 2023. This is a big event in the village. Many people donate and a lot of people volunteer their time to organize and layout all of the donations. I’m told that it raises quite a lot of money for the village.

My friend wanted to go there to talk to people about some stuff she wanted to donate so along I went.

The picture above was taken inside the large Parish Hall. I liked the triangular forms, the colored glass and the way the wide angle lens caused distortions such as the lamps looking as if they are defying gravity and tilting sideways, when of course in reality they were vertical.

Below pastor, Todd Farnsworth (here showing his humorous side) and, I assume, a volunteer whose name I, unfortunately did not get. This shows only a tiny portion of the donations. The Parish Hall was full of tables with donations of all kinds on them as well as masses of clothing on racks.

In addition to its website the Church also has a Facebook Page.

Taken with a Fuji X-E3 and Fuji XF 10-24mm f4

Another black and white

A while back I went mad over black and white conversions. This was partly because I seem to see in black and white and partly because at that time I didn’t really understand color photography that well. Sometimes the conversion was appropriate, other times it wasn’t. Since then after immersing myself in William Eggleston, Joel Meyerowitz, Ernst Haas, Saul Leiter, Alex Webb, Stephen Shore, Alec Soth at al. I’ve become a little more comfortable with color and consequently I’ve largely moved away from black and white conversions. However, the Native American Chief in my last post seemed to call for a black and white treatment.

A short time after I took that picture I took this one of the Pocantico River as it passes through Briarcliff Manor, and decided to convert it to black and white too. I’m not entirely sure that it works. Maybe I was mistakenly just trying to make a not terribly inspiring color photograph look a bit better.

Taken in mid April 2023 with an iPhone SE II.

Another recently acquired old camera: Sony R1

It’s a Sony R1, a bridge digital camera announced by Sony in 2005. It features a 10.3 megapixel APS-C CMOS sensor, a size typically then used in DSLRs and rarely used in bridge cameras, which at that time typically used much smaller sensors This was the first time such a large sensor was incorporated into a bridge camera. Besides the APS-C sensor, the DSC-R1 also featured a 35-120mm equivalent Carl Zeiss Vario-Sonnar T* lens, which was reputed to be very good. At the camera‚Äôs launch one reviewer said the lens alone was worth the asking price.

There’s a excellent review on DP Review. Make sure you read it now!! Amazon, the owners of DP Review, are shutting it down imminently – see here for more information.

The conclusion of the review reads:

I’ll start as I shall no doubt finish this little piece of editorial, the lens is worth the price of the DSC-R1 alone. That fact is not to be underestimated, it’s a great lens which provides you with a very useful 24 – 120 mm zoom range (which will be sufficient for the majority of users). Doing the math it’s pretty clear that you have to spend a fairly considerable sum on lenses for a D-SLR to get close to this range and the quality of the DSC-R1’s lens.

The DSC-R1 has been around for several years, the mythical fixed lens digital camera with a large (APS sized) sensor, but only in the minds of many of us. Thankfully Sony were brave enough to do it, to try something totally new and rekindle interest in the ‘prosumer’ fixed lens market which had pretty much been ignored since sub-$1000 digital SLRs came along. I’m glad to report as a prosumer / fixed lens digital the DSC-R1 is so much better than anything that came before it, it’s really not worth comparing it to cameras like the DSC-F828, there’s only so much you can do with a small sensor.

So yes, the DSC-R1 provides you with excellent images via a great lens and noise levels at higher sensitivities which would be impossible to achieve with any other fixed lens digital. However, it’s a little tougher these days, digital SLR’s are truly affordable and their performance has come on in leaps and bounds. Sony played the megapixel game (they had to) and fitted the DSC-R1 with a sensor which would ‘out-number’ cameras like the EOS 350D, however the reality is that (a) the step from 8 MP to 10 MP is so slight so as to be hardly noticeable and (b) the Canon has better in-camera image processing.

So here we come up to the issues. Firstly the DSC-R1’s ISO 800 and 1600 aren’t as good as the Canon (forget ISO 3200). When we first received the R1 we had hoped it would at least be a match but unfortunately it’s not. At ISO 800 images are perfectly usable but you’ll be aware that some detail will be ‘smudged’ by the high ISO NR system. At ISO 1600 you could face some fairly noticeable chroma mottle noise in shadows, something you just won’t get from the Canon.

The second issue is image processing, take a RAW out of the DSC-R1 and run it through Adobe Camera RAW and you can see just what that lens / sensor combination is capable of, however you really need to be pretty dedicated to shoot RAW all the time, 20 MB per RAW file and around 9 seconds to write; I did note that some of our forums users are converting the Sony RAW files to Adobe DNG to save space. That’s not to say JPEG’s aren’t good, they are very good, but you get a whole new appreciation for just how much crisper images could look converting in ACR.

About three quarters of my way through this review my mind was set on a ‘Recommended’ rating, and for a long time that’s how it sat. Then I started to put together the price comparison table (page 20) and I soon realized just what you’re getting. At $1000 you simply can’t get close to the coverage and quality of that lens. Add to that the usable high sensitivities, great build quality, a package which is ‘all in one’, resolution just better than an EOS 350D and final results which can be extremely good indeed. Certainly there are a few niggles with the rest of the camera but at the price they can easily be excused. Hence it’s a bit of a split rating, if you’re an absolute perfectionist who doesn’t mind spending more on lenses and shoots a lot at ISO 1600 you may wish to consider something else, for everyone else I have no hesitation in Highly Recommending the DSC-R1.

Of course I was keen to try it out so I immediately went to some nearby woodland. I can confirm that it works perfectly. Of course its very old technology so I found a few things frustrating: Low noise levels up to ISO 400, usable but NR affected ISO 800, noisy ISO 1600; Odd top mounted LCD location, which some may not like but which I find quite appealing; Both LCD and Electronic Viewfinder far below those of current cameras; Raw files are enormous for a 10 megapixel camera; slow burst rate (which doesn’t bother me); no bracketing (which does); autofocus not up to current standards. I did struggle to find focus a few times, but that’s probably me, not the camera. About what you would expect from an 18 year old camera.

On the positive side I really enjoyed using it. Its a fun camera that does everything I need in most circumstances. It’s relatively light and comfortable to use. A lot of my photography is intended for use on social media so the 10 megapixel sensor is not much of a hindrance. I don’t usually take pictures of things that move around quickly (e.g. small birds – or any size birds for that matter; car races; athletes etc.) so the older, slower focus is not a problem. And if I really want to take pictures of fast moving objects I have other cameras/lenses for that purpose. The 24-120 zoom range is useful.

And even from a very cursory use the lens appears to be everything that the reviewers say it is.

Below a few examples. I’ll probably add some more after I’ve used it more are gotten familiar quirks.






Picture of the camera taken with a Sony A7IV and Venus Optics Laowa 85mm f5.6. All other picture taken with the Sony R1