A New Camera

by Posted in Sony RX10 M3, Sony RX10 MIV Leave a comment
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If you read this blog, you will no doubt know of my frustration with trying to take pictures of birds. My problems arise from two factors: 1) Not possessing the right gear for taking bird pictures; and 2) Not being able to find birds to take pictures of. This post will mostly focus on the first of these.

I realized that to take pictures of birds I needed a camera capable of decent image quality, fast autofocus, good tracking, and a decent burst mode. I would also need very long focal length lens. So, a couple of years ago I bought a Sony A7IV with a SIGMA 150-600mm F5-6.3 DG DN OS Sports. This combination did indeed meet my criteria, and I got a number of decent photographs using it

The problem was that the combination of camera and lens was large, and very heavy. If I were to go out specifically to take pictures of birds (i.e. If I expected to go somewhere where I was fairly sure I would get pictures) I would take this camera/lens combination. However, I’m 72 years old and lugging this combination for long periods of time (e.g. during a photowalk) when I wasn’t sure of getting something was just too exhausting for me. Below see the difference between the two when full extended to 600mm.

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So, I looked for something smaller and lighter and came across the Sony RX10 M3. There’s a good review of it here. It seemed to meet most of my criteria. So even though it was quite expensive I bought one. Since it only had a 1-inch sensor rather than the full frame sensor on my A7IV I expected some loss of image quality, but I was pleasantly surprised at how good the images looked. The 24-600mm is truly remarkable and it’s so pleasant not to be carrying around and changing multiple lenses.

Unfortunately, the above-mentioned review was not the one I read. I read this one. Lured by a lower price, and excited to get on with the purchase I failed to notice that I had ordered the Model III rather than the Model IV. I realized soon (but not soon enough that I could return it) that the review of the Model III criticized the autofocus: the very thing that I wanted most. I still like the camera a lot for the reasons mentioned above, but if your interest is in birding or fast action this isn’t the camera for you.

So, what did I do? Well, I bought the Model IV of course. I still have the Model III. I’ll probably sell it or give it to one of my grandchildren one of these days.

For some pictures taken with this camera see here.

Taken with a Sony A7IV and Sony FE 24mm f2.8 G.

A Tale of Two Cameras

by Posted in Sony RX100 MVII Leave a comment

rx100vii-1-of-2

My grandson is now living in New York. He recently came out for a visit. His entire family would be going to the Philippines over Christmas/New Year, and he wanted a small, very portable camera that he could use while travelling. I only had one camera that fit the bill: My trusty eight-year-old Sony RX100 M3.

Although it was a bit of a sacrifice I gave it to him.

I then immediately ordered the most recent version: a Sony RX100 MVII. So not so much of a sacrifice after all. For a review of this camera see here. So far I’ve been very pleased with it.

Below: the two cameras. On left the Sony RX100 M3 and on the right the Sony RX100 MVII

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Taken with a Fuji X-E3 and Sigma 18-50mm f2.8

Another New/Old Camera

by Posted in Cameras, Kodak P880 Leave a comment
KodakP880-1-of-7

From time to time someone, finding out that I collect cameras, gives me either an old film or digital camera. I’m happy to take whatever they give to me. I like to try them out, see what kind of pictures I can get from them etc.

This happened recently when a friend gave me a bunch of cameras, both film and digital. I’ve mentioned this in an earlier post: See Another newly acquired camera. In that post I described my experience with one of the cameras (A Sony DSC-H50). This post deals with the second digital camera I received.

It’s a Kodak P880. I was particularly pleased with this camera because it has a Kodak CCD sensor. There are essentially two main types of sensors: CMOS and CCD (For an explanation of the differences see here). Newer cameras use CMOS sensors, newer ones CCD. The older CCD sensors are prized for the colors they produce, and the more film like pictures they produce. Among the CCD sensors, those made by Kodak are deemed to be the best of all. So, I was keen to try it to see if this was true.

Here are some features:

  • 8.3-megapixel CCD (8.0 million active pixels) delivering image resolutions as high as 3,264 x 2,448 pixels.
  • Electronic optical viewfinder (EVF).
  • 2.5-inch color hybrid LCD monitor.
  • 5.8x optical zoom lens, equivalent to a 24-140mm lens on a 35mm camera.
  • 1.4x or 2x digital zoom.
  • 25-point autofocus area, with Center-weighted and Multi-pattern modes.
  • Auto, Program AE, Shutter Priority, Aperture Priority, and Manual exposure modes, plus Scene (8 options), Flower, Landscape, and Portrait modes.
  • Shutter speeds from 1/4,000 to 16 seconds. (Limited to 1/2 second max in all but M & S modes.)
  • Sensitivity equivalents from ISO 50 to 1,600.
  • 25-zone Selectable metering system, as well as conventional Center-Weighted, Multi-Pattern, and Center-Spot metering systems.
  • User adjustable White Balance setting with eight modes, including a manual option and three optional presets.
  • Auto Exposure Bracketing.
  • Built-in pop-up flash with five modes and flash compensation adjustment.
  • Hot shoe for connecting external flash unit, as well as a threaded PC sync socket for electronic flash.
  • Burst and Time Lapse shooting modes.
  • Color, sharpness, and contrast adjustments, plus black & white and sepia options.
  • Custom exposure mode for saving user settings.
  • Two Self-timer modes.
  • Movie mode with sound.
  • RAW, TIFF, and JPEG image file formats, with three JPEG compression settings.
  • 32MB internal memory.
  • Images stored on SD/MMC card.
  • USB cable for connecting to printers and computers.
  • Video cable included for connecting to a television set.
  • Power supplied by rechargeable Li-Ion battery pack (charger included) or optional AC adapter.
  • PictBridge compatibility.
  • Compatible with Kodak EasyShare camera and printer docks (dock insert included).
  • Kodak EasyShare interface software included on CD-ROM.

Of course it’s an old (2006 vintage) camera. Here are some of the things I didn’t like

  • Autofocus takes a while to lock on.
  • Flares badly when pointed in the direction of a light source.
  • Takes a long time to save RAW files (the only ones I tried).
  • Burst modes terrible by today’s standards.
  • Low light performance poor.
  • Limited ISO by today’s standards.
  • Found the Macro mode difficult/impossible to understand.
  • Screen was small by today’s standards.
  • Both EVF and screen were difficult/almost impossible to read in bright light.
  • Battery life (at least for my copy) was poor.
  • Whenever I took the battery out, I had to set the date and time. I imagine this because the camera is so old that the internal battery has died.

But despite all of the above I found that I really liked the camera. It’s small, light, maybe plasticky but feels solid, it has a good grip for my sized hands, and I found the 24-140mm equivalent zoom lens to be very useful, the images were very clean, and as mentioned above the colors were bright and quite film like.

For a complete review from when it first came out see here.

Below find some pictures I took using this camera. For more see here.

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Getting into Video

by Posted in DJI Osmo Pocket 3 Leave a comment
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For some time now I’ve been wanted to learn more about video. When I recently bumped into a YouTube review or this combination still camera/video camera and gimbel I thought it might help me overcome whatever block I have that stops me getting into video. So I got the camera. A few months later I also acquired the DJI Mic 2. That’s what’s in the box to the right of the camera.

A review in Videomaker (See: DJI Osmo Pocket 3 review: A major step forward concludes:

The DJI Osmo Pocket 3 is a significant upgrade from its predecessor, the Pocket 2. This handheld three-axis gimbal camera boasts a one-inch sensor for improved image quality, advanced autofocus for rapid and precise focusing and enhanced low-light performance. It’s tailored for solo filmmakers seeking a portable, all-in-one solution. With a body measuring 5.5 x 1.7 x 1.3 inches and a weight of 6.3 ounces, the camera maintains its compactness while offering a two-inch rotating touchscreen for ease of use in various shooting modes.

Key features include the ability to shoot 4K video up to 120 fps and 1080p at 240 fps for slow-motion effects. The camera offers 10-bit HDR color, useful shooting modes like ActiveTrack 3.0, and panoramic capabilities without the need for a tripod. Its three-mic array captures clear audio, but there’s also support for the DJI Mic 2 for enhanced audio capture. The Osmo Pocket 3 also offers IP streaming with HD livestream capabilities and a timecode function for multi-camera synchronization. While app compatibility enhances the camera’s functionality, activation is required before use.

Overall, the DJI Osmo Pocket 3 is a worthy camera for creators who need a powerful, versatile camera that offers both high-quality imagery and professional features in a compact form factor. If you currently have the Pocket 2 and wonder if you should upgrade to the DJI Osmo Pocket 3, we’d say go for it.

I haven’t been able to use it much yet, but after a few preliminary attempts I thinks it’s something I could easily get used to. Stay tuned.

Taken with a Fuji X-E3 and Sigma 18-50mm f2.8

Film Camera 2024 -3: Fujifilm Instax Square SQ-6

by Posted in Fujifilm Instax Square SQ6 Leave a comment
fujiinstaxsq6-1-of-2

Following my efforts with a Polaroid SX-70 (See: Film Camera 2024 -1: Polaroid SX-70 and Film Camera 2024 -1: Polaroid SX-70 – Results) and a Polaroid I2 (See: Film Camera 2024 -2: Polaroid I2 and Film Camera 2024 -2: Polaroid I2 – Results) I decided I’d try camera from the only other major instant camera maker: Fujifilm.

It’s a pretty simple camera compared to the two cameras mentioned above. A review in Wired describes it well:

…it’s a straightforward Fujifilm camera. It has a few modes of note: a macro function to let you focus on closer objects, a selfie mode, a double exposure mode, and even a simple exposure compensation feature to let you lighten or darken the image. These are what I expected, although the Lomo’Instant Square also came with a multiple-exposure mode and a bulb setting, both of which can be handy if you plan on getting crazy with your shots.