Alvin Langdon Coburn

Geoff Wittig with a photograph of Alvin Langdon Coburn. Photograph by Mike Johnston (I think?). The Online Photographer: Alvin Langdon Coburn

Great article on Alvin Langdon Coburn on The Online Photographer. It’s nice to see someone who doesn’t dismiss pictorialism out of hand.

Alvin Langdon Coburn, if you don’t know the name, born 1882, was a pictorialist enfant terrible (nevertheless dominated by his strong-willed mother) who did his best work before the First World War—he gained substantial fame and reputation while still in his teens and twenties. But speaking of sharpness, it was pretty amusing to see Coburn’s strongly pictorialist photographic style in light of today’s torrid discussions of resolution and sharpness. Everyone who was anyone in his day considered an impressionistic unsharpness to be the mark of artistic interpretation, and photographers across the Western world prized “diffusion.” The public now, not knowing any better, thinks that old lenses from around the turn of the 20th century were not sharp because the technology simply hadn’t progressed far enough. Not so. Lensmakers vied with each other to make lenses deliberately designed to be unsharp, first for portraits, then for everything. Photographers went to great lengths to seek out lenses with just the proper degree and type of blurriness. And, at clubs and salons and in photographic journals, they argued about just which lenses were the most perfectly unsharp. (I know it appears that I’m kidding, but I am not.) I recall reading about one photographer who kept the identity of his prized portrait lens a secret so his competitors would find it harder to mimic him.

I particularly liked this bit:

Lensmakers vied with each other to make lenses deliberately designed to be unsharp, first for portraits, then for everything. Photographers went to great lengths to seek out lenses with just the proper degree and type of blurriness. And, at clubs and salons and in photographic journals, they argued about just which lenses were the most perfectly unsharp.

I recently posted a picture of my friend Andres and in it I bemoaned the fact that it wasn’t very sharp (because of my ineptitude in letting the shutter speed get too low). It’s good to see that there were once photographers who valued less than sharp images. So in a salute to Alvin Langdon Coburn I’ve reworked my picture of Andres to give it more of a pictorialist feel (see below).

Pennsylvania Station around 1910

And they destroyed this to make way for the monstrosity that is the new Penn Station with Madison Square Garden on top of it!

“Thirty-Second Street entrance, Pennsylvania Station, New York.” The original Penn Station in the final stages of construction, circa 1910. 8×10 inch dry plate glass negative, Detroit Publishing Company

The Poughkeepsie Peeper: 1900

New York circa 1900. “Waiting for the train, Depot near Poughkeepsie. 5×7 inch glass negative rescued from an Upstate attic. Source: The Poughkeepsie Peeper: 1900 | Shorpy Historic Picture Archive

Nice to see an old picture from a nearby town, which I’ve visited in just the last couple of weeks:

Bardavon Opera House
Times Gone By
Street Art
Madonna and Child Statue
Urban Decay
A Couple of Buildings on Main Mall Row, Poughkeepsie, NY
Redeemed Christian Fellowship – Church of God of Prophecy
Colorful Mural

Ansel Adams’ Pictures of an American Concentration Camp During WWII

Manzanar from Guard Tower, view west (Sierra Nevada in background).

More than 30 pictures in this article.

Ansel Adams is best known for his breathtaking landscape photos, but he photographed much more than nature during his decades-long career. In 1943, already

Source: Ansel Adams’ Pictures of an American Concentration Camp During WWII

Bearing in mind Donald Trump‘s recent comments regarding Muslims I wonder how close we are to this again.

Guardian Photographer of the year – 2015 Shortlist


Olivia Harris: A cosplayer poses at the 2015 Comic Fiesta event in Kuala Lumpur, Malaysia. London-born Harris is based in Kuala Lumpur for Reuters. She covered news and features in London before moving to South-east Asia, where her images often make our photo highlights selections.

Some compelling pictures here:

Photographer of the year – 2015 shortlist: atrocities in Paris and Syria, bodybuilders in PalestineSpanning the human cost of air strikes in Syria and the refugee crisis, child jockeys, forest fires and Boris Johnson taking a tumble, here are the most incredible images that agency photographers sent to our picture desk this year. The overall winner will be announced on 21 December

Source: Photographer of the year – 2015 shortlist.

Some 40 plus pictures appear here – all but two of them feature people. Compare that to my pictures almost none of which have any people in them. I guess I shouldn’t look forward to appearing on the Guardian pictures of the year short list any time soon. After all this is the Guardian and newspapers tend to focus on reportage and photojournalism so I suppose I shouldn’t be too surprised.

I look forward to hearing who the ultimate winner is.