A couple of photobooks

Its fine to view pictures on Facebook, Instagram etc. But having some in your hand that you can browse through is an entirely different, and perhaps more pleasant experience. So I decided to have a go at producing a couple of photobooks.

I’d consider these initial attempts to be more of an experiment than anything else. The point of the exercise was more to gain some experience in using Lightroom and Blurb than anything else.

The first book originated in a visit to the New England Air Museum organized by my friend Ken. Usually when I visit a museum such as this I look for a book describing it and its various exhibits. This time I looked in vain. They just didn’t have a such a book. So I decided to do my own. This particular book is a mixture of text and images. I dedicated it to my friend Ken and gave him a copy.

The second book is, apart from a brief introduction, all pictures – taken around the lake where we have a house.

I’m quite pleased with the results, and encouraged to make some more.

Taken over time with a variety of cameras.

Leo Hendrik Baekeland. The man who invented bakelite.

In the preceding post I mentioned that I was thinking about collecting bakelite cameras. On doing a little more research I was surprised to find that he died in Beacon, NY – quite close, about a 20 minute ride from one of our houses. I was even more surprised to discover that he was buried in Sleepy Hollow Cemetery, less than 10 minutes away from our other house. Of course I went to see his grave.

After initial success developing Velox, a photographic paper that would allow enlargements to be printed by artificial light. He turned his attention to synthetic resins:

By the 1900s, chemists had begun to recognize that many of the natural resins and fibers were polymeric, a term introduced in 1833 by Jöns Jacob Berzelius. Adolf von Baeyer had experimented with phenols and formaldehydes in 1872, particularly Pyrogallol and benzaldehyde. He created a “black guck” which he considered useless and irrelevant to his search for synthetic dyes. Baeyer’s student, Werner Kleeberg, experimented with phenol and formaldehyde in 1891, but as Baekeland noted “could not crystallize this mess, nor purify it to constant composition, nor in fact do anything with it once produced”.

Baekeland began to investigate the reactions of phenol and formaldehyde.He familiarized himself with previous work and approached the field systematically, carefully controlling and examining the effects of temperature, pressure and the types and proportions of materials used.

The first application that appeared promising was the development of a synthetic replacement for shellac (made from the secretion of lac beetles). Baekeland produced a soluble phenol-formaldehyde shellac called “Novolak” but concluded that its properties were inferior. It never became a big market success, but still exists as Novolac.

Baekeland continued to explore possible combinations of phenol and formaldehyde, intrigued by the possibility that such materials could be used in molding. By controlling the pressure and temperature applied to phenol and formaldehyde, he produced his dreamed-of hard moldable plastic: Bakelite. Bakelite was made from phenol, then known as carbolic acid, and formaldehyde. The chemical name of Bakelite is polyoxybenzylmethylenglycolanhydride. In compression molding, the resin is generally combined with fillers such as wood or asbestos, before pressing it directly into the final shape of the product. Baekeland’s process patent for making insoluble products of phenol and formaldehyde was filed in July 1907, and granted on December 7, 1909. In February 1909 Baekeland officially announced his achievement at a meeting of the New York section of the American Chemical Society.

In 1917 Baekeland became a professor by special appointment at Columbia University. The Smithsonian contains documents from the County of West Chester Court House in White Plains, NY, indicating that he was admitted to U. S. Citizenship on December 16, 1919.

In 1922, after patent litigation favorable to Baekeland, the General Bakelite Co., which he had founded in 1910, along with the Condensite Co. founded by Aylesworth, and the Redmanol Chemical Products Company founded by Lawrence V. Redman, were merged into the Bakelite Corporation.

The invention of Bakelite marks the beginning of the age of plastics. Bakelite was the first plastic invented that retained its shape after being heated. Radios, telephones and electrical insulators were made of Bakelite because of its excellent electrical insulation and heat-resistance. Soon its applications spread to most branches of industry.

Baekeland received many awards and honors, including the Perkin Medal in 1916 and the Franklin Medal in 1940. In 1978 he was posthumously inducted into the National Inventors Hall of Fame at Akron, Ohio.

At Baekeland’s death in 1944, the world production of Bakelite was ca. 175,000 tons, and it was used in over 15,000 different products. He held more than 100 patents, including processes for the separation of copper and cadmium, and for the impregnation of wood. (Leo Baekeland)

His final years were rather sad:

As Baekeland grew older he became more eccentric, entering fierce battles with his son and presumptive heir over salary and other issues. He sold the General Bakelite Company to Union Carbide in 1939 and, at his son’s prompting, he retired. He became a recluse, eating all of his meals from cans and becoming obsessed with developing an immense tropical garden on his winter estate in Coconut Grove, Florida. He died of a stroke in a sanatorium in Beacon, New York, in 1944. (Wikipedia: Leo Baekeland)

Tragedy continued to afflict the Baekeland family when Barbara Daly Baekeland, ex-wife of Brooks Baekeland, Leo’s grandson was murdered by her own son, Antony in 1972:

[She] had a complex and allegedly incestuous relationship with her son, Antony Baekeland, who was gay or bisexual. Baekeland attempted to “fix” her son by hiring prostitutes to have sex with him. After this failed, while the pair were living in Majorca in the summer of 1968 following Barbara and Brooks’s divorce, Barbara was alleged to have raped her son.

During his young adulthood, Antony displayed increasingly regular signs of schizophrenia with paranoid tendencies, and his erratic behavior caused concern among family friends. He was eventually diagnosed with schizophrenia; however, his father initially refused to allow him to be treated by psychiatrists, a profession he believed to be “amoral”.

In late July 1972, Antony tried to throw his mother under the traffic outside her penthouse on Cadogan Square in Chelsea, London. She was only saved by his physical weakness, and the intervention of her friend Susan Guinness. Although the Metropolitan Police arrested Antony for attempted murder, Barbara refused to press charges. Antony was subsequently admitted to The Priory private psychiatric hospital, but was released soon afterwards.

Antony then undertook sessions with a psychiatrist while living at home. The doctor became so concerned about Antony’s condition that on October 30, he warned Barbara that he was capable of murder. Barbara dismissed the doctor’s assertion.

Two weeks later, on November 17, 1972, Antony murdered his mother by stabbing her with a kitchen knife, killing her almost instantly. She was 51 years of age at the time, and Antony was 25. Police arrived and found Antony at the scene of the crime. He later confessed to, and was charged with, her murder.

Antony was institutionalized at Broadmoor Hospital until July 21, 1980, when, at the urging of a group of his friends, he was released. Upon his release, Antony, now aged 33, flew directly to New York City to stay with his 87-year-old maternal grandmother, Nini Daly. Only six days after his release, on July 27, he attacked her with a kitchen knife, stabbing her eight times and breaking several bones. He was then arrested by the New York City Police Department, charged with attempted murder and sent to Rikers Island prison.

After eight months of assessment by the psychiatric team at Rikers Island, he was expecting to be released on bail at a court hearing on March 20, 1981. However, the case was adjourned by the judge due to a delay in the transfer of his medical records from the UK. Antony returned to his cell at 3:30 PM on March 20, 1981, and was found dead there 30 minutes later, suffocated by a plastic bag.(Wikipedia: Barbara Daly Baekeland).

Taken with a Sony RX100-M3.

Bakelite Cameras

I started collecting cameras around 2011. My first serious camera was a Minolta Hi-Matic 7sII given to me by my late wife. So I thought I would focus my collection on compact rangefinder cameras (e.g. Canon G-III, Olympus 35 RC etc.). After acquiring a number of these I switched to full size rangefinder cameras (FEDs, Zorkis, Canon P, Nikon S2 etc. I even got a Leica) What then followed were forays into classic SLRs (e.g. Nikon F, F2 etc.); autofocus SLRs (e.g. Nikon N90x, Canon Eos Elan II, Minolta Dynax 5 etc.); Medium Format cameras (e.g. Rolleiflex, Minolta Autocord etc.). I even picked up a number of Point and Shoot cameras (e.g. Olympus Stylus, Olympus Stylus Epic, Olympus XA2 etc.

Recently I started to think about what other kinds of cameras I could collect. Then I noticed that somewhere along the line I’d acquired a few bakelite cameras, two of which appear above (a Kodak Bullet) and below (a Kodak Baby Brownie). Maybe I’ll collect some of these. Why? They’re usually quite inexpensive; many of them have lovely art deco designs; I love the shiny (usually but not always) black plastic.

So what is bakelite and how was it used in cameras:

In 1907 Leo Hendrick Baekeland, a Belgian chemist working in New York, invented the first entirely synthetic plastic. It was a thermosetting phenolic resin patented in 1907 under the name Bakelite. It was made by combining phenol and formaldehyde using heat and pressure. Once the resin hardened, it could not be re-melted by the application of heat. This discovery was of profound importance and effectively gave birth to the modern plastics industry.

Camera makers soon realized that the properties of this phenolic resin were ideally suited for the use in cameras. Bakelite was opaque, sturdy, durable and could be moulded to any shape. Early Bakelite cameras tended to be phenolic imitations of their metal and cardboard counterparts. However, in 1934 something truly remarkable happened. The industrialist Walter Dorwin Teague designed a camera that was better suited to the characteristics of the new material. This was the Baby Brownie – a black phenolic box with a distinctive vertical ribbing.

Other great designs followed. The Agfa Trolix of 1936 had curved size sides, rounded corners, decorative ribs and a shiny surface all typical of the 1930s streamlining. It is made from Trolitan plastic which is the German equivalent of Bakelite. Such features would have been very difficult to realise in metal.

Another outstanding design of the period was the 1937 Purma Special. This camera took the form of an elegant curved and tapered rectangular case of Bakelite. Unlike most other models the film advance mechanism, shutter lever and shutter release button did not protrude from the body. Again, these features would have been more difficult and costly to realise in metal. (Art Deco Cameras)

Taken with an Apple iPhone 8 (second version).

Rockefeller State Park Preserve – Stone Bridges

One of the things that I love about the Rockefeller State Park Preserve is the lovely old stone bridges. There are three of them all.

Above the first bridge you come across as you walk along the Pocantico River Trail.

The second bridge.

The third bridge. This is a lovely three arch bridge. Unfortunately it’s impossible to get a good angle on it i.e. so that you can see all three arches

Canon 5D Classic and Canon EF 28-105mm f3.5-4.5 II USM.