Pipilotti Rist: Pixel Forest 1

Last November we went to see an exhibition at the New Museum in New York City. It was by Swiss Artist Pilotti Risk and I must admit that I’ve never seen anything quite like it. It spanned several floors and the Museum’s website describes it as follows:

Over the past thirty years, Rist (b. 1962) has achieved international renown as a pioneer of video art and multimedia installations. Her mesmerizing works envelop viewers in sensual, vibrantly colored kaleidoscopic projections that fuse the natural world with the technological sublime. Referring to her art as a “glorification of the wonder of evolution,” Rist maintains a deep sense of curiosity that pervades her explorations of physical and psychological experiences. Her works bring viewers into unexpected, all-consuming encounters with the textures, forms, and functions of the living universe around us.

Occupying the three main floors of the Museum, “Pipilotti Rist: Pixel Forest” is the most comprehensive presentation of Rist’s work in New York to date. It includes work spanning the artist’s entire career, from her early single-channel videos of the 1980s, which explore the representation of the female body in popular culture, to her recent expansive video installations, which transform architectural spaces into massive dreamlike environments enhanced by hypnotic musical scores. Featuring a new installation created specifically for this presentation, the exhibition also reveals connections between the development of Rist’s art and the evolution of contemporary technologies. Ranging from the television monitor to the cinema screen, and from the intimacy of the smartphone to the communal experience of immersive images and soundscapes, this survey charts the ways in which Rist’s work fuses the biological with the electronic in the ecstasy of communication.

Pipilotti Rist was born in Grabs in the Rhine Valley, Switzerland, and currently lives and works in Zurich. She studied graphic design, illustration, and photography at the University of Applied Arts in Vienna and audiovisual communications and video at the Basel School of Design. Solo exhibitions of her work have been presented internationally at venues including Kunsthaus Zürich (2016); Kunsthalle Krems, Austria (2015); Times Museum, Guangzhou, China (2013); Leeum, Samsung Museum of Art, Seoul, South Korea (2012); Fondazione Nicola Trussardi, Milan (2011); the Hayward Gallery, London (2011); the Wexner Center for the Arts, Columbus, OH (2011); Museum Boijmans Van Beuningen, Rotterdam, the Netherlands (2009); the Museum of Modern Art, New York (2008); Centre Georges Pompidou, Paris (2007); and the Contemporary Arts Museum Houston, TX (2006); among many others. Rist was awarded the Zurich Festival Prize (2013), the Harper’s Bazaar Art China Prize (2012), and the Joan Miró Prize (2009).

The picture was taken on the first floor we encountered. It was actually a lot darker than it appears in the photograph.

Did I like the exhibition? Yes, I believe I did. Unfortunately, it closed in January, 2017

Pipe

Taken at the abandoned Tioronda Hat Factory in Beacon, NY.

I liked the variations of orange. The bulk of the picture consists of horizontal and vertical lines: the bricks, the window sills, the window frames. And then the pipe cuts diagonally across the frame, as does the detached, wooden board. The various textures are also interesting. And as I’ve mentioned before: I have a weakness for ruined buildings and rusty metal.

Snowscape

Seen at the side of the road around our lake. I’m not entirely sure why I like it. Maybe it’s the undulating snow? Maybe it’s the way the ‘pools’ recede into the background? Maybe it’s the contrast between the light and the dark? Maybe it’s the way the light sparkles on the icy water (if so then I’m not sure I’ve really caught it)? Maybe some combination of the above?

Leaf in snow

It was 2:30pm of a bright, sunny Winter day and I was returning home after walking the dog. We’d almost reached our driveway when I noticed this leaf nestled in the snow, now icy after lying there for several days. I liked the contrast between the warm colors of the leaf, and the shiny ‘iciness’ of the snow.