In a parking garage adjacent to the Poughkeepsie Station. Nice view over the river.
Taken with a Sony A7CII and Sony FE 28-70 f3.5-5.6 OSS
Photographs and thoughts on photography and camera collecting
The first Poughkeepsie station was built in 1850 as what became the New York Central Railroad‘s Water Level Route worked its way up the Hudson River. For its first two years it was the end of the line, but even after it was completed all the way to Albany, it remained the most important intermediate stop. Many local industries, particularly the carpet mills and shoe factories in the city, used the rail facilities to get their products to market. The concentration of industry around a major rail stop also led to the rise of banking and finance within the city as well.
In 1889, with the completion of the nearby Poughkeepsie Railroad Bridge providing east–west rail service across the Hudson, Poughkeepsie became even more important to regional rail transportation. When it came time for a third station to be built on the site, the firm of Warren & Wetmore was hired to design a station that would impress travelers and communicate the city’s confidence and cosmopolitan aspirations. They chose to model it on Grand Central, another successful design of theirs.
After five years of design and construction, the station was opened on February 18, the main station building is meant to be a much smaller version of Grand Central Terminal. It was a source of civic pride when it opened. In 1976 it was added to the National Register of Historic Places as Poughkeepsie Railroad Station; it and Philipse Manor are the only Hudson Line stations outside Manhattan to be so recognized.
The station is a four-story building built into a rockface, with the bottom two levels given over to the tracks and the top two accounted for by the main waiting room, a two-story brick-faced building. Its five-bay facade features sculptured masonry designs over the five high arched windows. To the west, a 420×15-foot (128×5 m) steel-frame overhead walkway provides access to the tracks via stairs and elevators. Today it continues westward to provide access to the adjacent parking garage. At the time of the station’s construction, it served the businesses along Main Street
The waiting room, modeled on Grand Central Terminal,[4] is a high gallery lit during daylight by the windows and the three original chandeliers. The 14 benches within are also original finished chestnut pieces. The walls are paneled in wood to eight feet (240 cm), after which the carved stone shows all the way to the cornice. More original woodwork, the stained walnut rafters, is present in the ceiling, possibly modeled after a similar design in San Miniato al Monte, an 11th-century church in Florence, Italy.
Amenities include bathrooms (also modernized), a concession stand, as well as a ticket counter selling Metro-North tickets alongside two vending machines which sold MetroCards prior to May 2025. There is no checked baggage service for Amtrak trains; Amtrak tickets are available only via a Quik-Trak kiosk. The northernmost MTA Police substation is adjacent to the station as well. In the late 1960s the North-South Arterial (US 9) was built and elevated immediately to the station’s east, somewhat isolating it from the rest of the city.
There are four tracks at the platform level, enough to accommodate Amtrak and Metro-North stops simultaneously, and from west to east numbered 2, 1, 3, and 5. Only tracks 2, 1, and 3 are regularly used. Track 5, the easternmost, has a lower speed limit and is used mainly for non-revenue maintenance trains or those experiencing difficulties. The station has a high-level island platform, high level side platform, and a low-level side platform, each six cars long and slightly offset from each other. Only the high-level platforms are used in passenger service.
Taken with a Sony A7CII and Sony FE 28-70 f3.5-5.6 OSS
I came across this impressive stone house on a side street in Briarcliff Manor. I’ve haven’t been able to find out much about it so far, other than that it seems it was at one time owned by someone called “Julia”. This was probably Julia C. Stimson, who lived
“…’in Briarcliff Manor after World War II until her death and was the first woman to hold an officer’s rank in the in the Army Nurse Corps. She was designated a major in 1920 and elevated to colonel in 1948, after her retirement. A graduate of Vassar College and New York Hospital School of Nursing, Stimson was a superintendent of Nursing in St. Louis. When the United Stated entered World War I, “she volunteered at once and, in dark blue dress and long cape, sailed…for France to become chief nurse of base Hospital 21, “and was soon directing the activities of ten thousand American Red Cross Nurses in France. From 1919 until 1937 she was superintendent of the Army Nurse Corps. In this post, and from 1938 to 1944 as president of the American Nurses Association, she worked for higher professional standards and improvement of the status of nurses. During World War II, Stimson was chairman of the Nursing Council on Defense until, in 1942, she was recalled to active duty in the Army Nurse Corps and assigned to recruiting more nurses from all over the country.
For her services in World War I, Colonel Stimson received the Distinguished Service Medal, the Florence Nightingale Medal of the International Red Cross, and British and French awards, and was cited by General John J. Pershing for “exceptionally meritorious and conspicuous service.” She was the author of War Letters, published in 1918, a volume based on her experiences in France, and the Nurses’ Handbook of Drugs and Solutions, published in 1910″ (Mary Cheever, “The Changing Landscape, a history of Briarcliff Manor -Scarborough”
In conversation with the owner of the house in 2004 (Betsy Gross) a former member of the Briarcliff Manor-Scarborough Historical Society was told that Ms. Gross’s parents purchased the house directly from “Julia” about 1956 (Note: this is clearly incorrect as “Julia” passed away in 1948!). “Julia” returned to visit them at least once a few years later (she was upset because a tree had been removed from the property). Ms. Gross also mentioned that the house is called “Boulder House”. The house (a fieldstone colonial) was originally built in 1909.
For more information on Julia C. Stimson see her Wikipedia entry, which contains this rather interesting sentence: “Following her death, the Stimson family spread her ashes by a stream on her property in Briarcliff Manor, New York.” That stream is actually the Pocantico River.
Taken with a Nikon D200 and Nikon AF Nikkor 50mm f1.8 D
At various times in its history Croton Point has been the site of a significant Revolutionary War event; the home of a magnificent mansion; the location of a brickworks and a winery. There was once even a small town or village (now long gone) on the point, built to house the workers at the various businesses. Today it’s a spot for walkers, campers, swimmers and the like. It’s also the venue for a well-known annual Music Festival: Clearwater’s Great Hudson River Revival.
Taken with a Sony RX10IV
I’ve taken many photographs of this old, weathered door on a similarly decaying old building on Main Street in Ossining, NY. I don’t know how the house manages to survive, nor do I fully understand what fascinates me so much about the door. Although I’ve taken a lot of pictures of it, I’ve never been quite happy with them. I think I like this one the most, at least for now.
Taken with a Sony RX100 VII